Oscars stand-out moments: historic winners, emotional tributes, Ted Sarandos and Timothee Chalamet jokes
Autumn Durald Arkapaw becomes the first woman to win best cinematography at the Oscars.
What’s in the running for Cannes 2026?
What will not be ready is as informative as what will be.
“Come for those flashy projects and stay for the slow burns,” says CPH: DOX industry head Mara Gourd-Mercardo
Some 200 financiers and industry representatives confirmed to attend.
Why the trajectory of CPH:DOX opener ‘Mariinka’ changed with Russia’s invasion of Ukraine
Director Pieter-Jan De Pue explains the invasion altered the fates of the four brothers the film was following.
CPH:DOX spotlight: meet the six filmmakers behind this year’s Europe Docs selection
The six selected titles are Amazomania, Arctic Link, Christiania, The Cord, Mariinka and Something Familiar
CPH:DOX’s Niklas Engstrøm and Katrine Kiilgaard on how the 2026 edition will try to make sense of the world
The leading doc festival opens on March 11.
In conversation: First-ever nominees for new Oscars casting category discuss a changing industry and AI actors
Gabriel Domingues, Nina Gold, Cassandra Kulukundis, Francine Maisler and Jennifer Venditti talk to Screen.
How is the Muslim workforce of the UK film and TV industry being supported during Ramadan?
“I didn’t say I was fasting because I didn’t want to make myself seem like a problem.”
How Depression-era photography inspired the Oscar-nominated visuals for 'Train Dreams’
Born in Brazil, resident in Portugal and working across continents, director of photography Adolpho Veloso connected with the itinerant themes of Train Dreams.
‘The Ugly Stepsister’ make-up and hairstyling team on creating "beauty and dirt" and their shock Oscar nomination
The US Academy Awards rarely honours films featuring body horror, but The Ugly Stepsister has been nominated for make-up and hairstyling. Jamie Graham talks to excited Danish duo Thomas Foldberg and Anne Cathrine Sauerberg.
“Berlin was solid and the market felt good”: Buyers and sellers on EFM 2026
However, some expressed concern big market titles were being kept for Cannes.
The struggle to bring ‘Mr Nobody Against Putin’ to the world: "The Pasha escape plan affected the storytelling"
Mr Nobody Against Putin exposes the militaristic propaganda efforts at a Russian school. Director David Borenstein and co-director/subject Pavel Talankin tell Screen about their Bafta-winning film.
Why two of Norway’s leading producers teamed up for ‘Sentimental Value’: “It was set up from the start as an exceptional project”
Screen learns about a meeting of minds.
