EXCLUSIVE: Todd Haynes and Christine Vachon board Number 9’s drama starring Cate Blanchett and Mia Wasikowska.
EXCLUSIVE: Iraqi-Kurdish director Hiner Saleem is in Cannes with Un Certain Regard title My Sweet Pepperland [pictured].
Screen’s Cannes 2013 Competition blog continues with Soderbergh’s last film.
The hottest upcoming producers from around the world.
From targeting the best festival for a premiere to connecting with rising talents, Wendy Mitchell asks the experts how new producers can make the most of festivals
Financing independent films is notoriously tough, so how can new producers attract backing? Geoffrey Macnab speaks to the seasoned professionals
First-time producers should understand the commercial appeal of their film and know when to approach a sales company. Andreas Wiseman speaks to key industry sellers about what newcomers need to know about working with them
David Hasselhoff took to the beach in Cannes this week, this time for business meetings not for Baywatch duty.
Leon Forde talks to Amit Kumar about his feature debut Monsoon Shootout, which screens in Cannes as a Midnight Screening.
Jeremy Kay talks to Terry Gilliam about his latest feature The Zero Theorem, which just wrapped production in Romania.
It began with a lucky calamity. Paul Schrader and Bret Easton Ellis originally came together to work on Bait, a movie backed by Spanish money that was set up at Lionsgate. When that fell apart, the two creative forces got talking about making something else.
Jean Noh talks to Hirokazu Kore-eda about his latest feature, which premieres in Competition at Cannes.
Wendy Mitchell talks to Paul Wright about his debut feature For Those In Peril, which premieres in Critics’ Week.
Baz Luhrmann’s Cannes opener The Great Gatsby is his first film in 3D. Will it continue the director’s upward trajectory at the global box office? Ian Sandwell reports.
Browse the line-up of films selected for the 66th Cannes Film Festival