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‘Fuori’ review: Mario Martone, Valeria Golino zoom in on ‘Art Of Joy’ author Goliarda Sapienza
Mario Martone’s Competition entry focuses on the author’s brief imprisonment and subsequent self-discovery
‘A Private Life’ review: Rebecca Zlotowski directs Jodie Foster in her first French-speaking lead
Foster is a Parisian therapist embroiled in a murder mystery in this intriguing, uneven thriller
‘Little Amelie’ review: Life in 1960s Japan through the eyes of a Belgian toddler
Charming animation is based on Amelie Nothomb’s memoir ‘The Character of Rain’
‘It Was Just An Accident’ review: Jafar Panahi confronts the Iranian injustice system head-on
Cannes Competition title sees a traffic accident spark a series of devastating events
‘Eleanor The Great’ review: June Squibb headlines Scarlett Johansson’s warm debut
Chiwetel Ejiofor and Erin Kellyman co-star in this Holocaust-themed story set in New York’s Jewish community
‘Imago’ review: Critics’ week doc looks at a Chechen enclave in Georgia
Filmmaker Déni Oumar Pitsaev visits the picturesque Pankissi valley in search of his roots
‘Aisha Can’t Fly Away’ review: A Cairo careworker finds herself caught up in local gang tensions
Morad Mostafa’s feature debut mixes drama and magical realism
‘Alpha’ review: Julia Ducournau's ‘Titane’ follow-up is set against a mysterious French plague
Tahar Rahim and Golshifteh Farahani star in this surprisingly emotional family drama
‘Highest 2 Lowest’ review: Spike Lee reteams with Denzel Washington for ambitious crime thriller
Fifth collaboration between director and star reimagines Akira Kurosawa classic ’High And Low’ in modern New York
‘Splitsville’ review: Dakota Johnson and Adria Arjona play love rivals in partner-swap comedy
Director/star Michael Angelo Covino follows ’The Climb’ with uneven Cannes Premiere title
‘A Poet’ review: A failed Colombian poet mentors a promising young talent
Simon Mesa Soto’s second feature is powered by a strong performance from non-professional Ubeimar Rios
‘Eagles Of The Republic’ review: Tarik Saleh reunites with Fares Fares to end his Cairo trilogy
The satirical film-industry drama follows ’Boy From Heaven’ and ’The Nile Hilton Incident’
‘Once Upon A Time In Gaza’ review: Satirical, resonant follow-up to ‘Gaza Mon Amour’
Latest film from the Nasser brothers looks at everyday life in Gaza City in the 2010s
‘The Richest Woman In The World’ review: Isabelle Huppert drama plays on a notorious real life L’Oréal heir
Laurent Lafitte and Marina Fois also star in Thierry Klifa’s family saga based on the Bettancourt affair
‘Sleepless City’ review: Coming-of-age drama set in Europe’s largest shanty town in Spain
Spain’s La Cañada Real outside Madrid is ian evocative backdrop for Guillermo Garcia Lopez’s drama
‘Exit 8’ review: Tokyo’s subway is an endless purgatory in ‘ingenious’ video game adaptation
Director Genki Kawamura’s twisting, inventive chiller bows in Cannes Midnight
‘Magellan’ review: Lav Diaz directs Gael Garcia Bernal as the titular Portuguese explorer
The prolific Filipino auteur serves up a handsome, accessible historical biopic
‘The Love That Remains’ review: Follow-up to ‘Godland’ is a tender breakup drama
Iceland’s Hynur Palmason returns with film about the end of a marraige.
‘Mama’ review: A Polish domestic worker has a difficult return home from Israel
Writer/director Or Sinai’s composed character study is split between two countries, like its central character
’The Phoenician Scheme’ review: Benicio del Toro and Wes Anderson unite for espionage comedy-drama
Mia Threapleton co-headlines alongside an ensemble cast including Tom Hanks, Scarlett Johansson and Benedict Cumberbatch.
