Fatherland

Source: Agata Grzybowska

‘Fatherland’

Festival director Thierry Frémaux announced the Official Selection at a press conference this morning at the Pathe Palace in Paris alongside festival president Iris Knobloch. The selection was made from 2541 submitted features.

Scroll down for full line-up

As usual, the 2026 Competition is packed full of veteran auteurs returning to Cannes such as Pedro Almodovar, Asghar Farhadi and Hirokazu Kore-eda alongside a number of up and coming directors. Five female filmmakers are in competition, out of a line-up of 21 films announced so far: Germany’s Valeska Grisebach, France’s Jeanne Herry, Lea Mysius and Charline Bourgeois-Tacquet, and Austria’s Marie Kreutzer

There are three Japanese filmmakers and three Spanish directors in the line-up, alongside five French filmmakers.

Lukas Dhont’s First World War drama Coward, which many thought would not be ready for Cannes, is selected. The film explores what heroism and cowardice mean from the perspectives of young soldiers and was partially shot on the actual battlefields near Ypres, Belgium. Both of Dhont’s previous features premiered at Cannes, Girl (2018) in Un Certain Regard and Close (2022) in Competition, with the latter also nominated for an Oscar. The Match Factory is selling.

Hungarian director László Nemes, whose debut Son of Saul won the Grand Prix in 2015, returns with Moulin, a biopic of French resistance leader Jean Moulin, played by Gilles Lellouche. Again, many thought this might not be ready in time for Cannes.

Polish filmmaker Pawel Pawlikowski comes with Fatherland starring Sandra Huller, centring on the relationship between the writer Thomas Mann, played by Hanns Zischler, and his actress, journalist and rally driver daughter Erika, played by Huller, as they embark on a road trip across a Germany in ruins. Pawlikowski won the best director prize at the festival in 2018 for Cold War. Mubi produces.

Two-time Oscar-winning Iranian filmmaker Asghar Farhadi is in Competition with French-language Parallel Tales, which has an all-star French cast including Isabelle Huppert, Virginie Efira, Vincent Cassel, Pierre Niney, Adam Bessa and Catherine Deneuve. It marks Farhadi’s fifth time in Competition following The Past, The Salesman, Everybody Knows and A Hero.

Cristian Mungiu, the Palme d’Or-winning Romanian director of 4 Months, 3 Weeks And 2 Days, premieres Fjord, starring Renate Reinsve and Sebastian Stan as religious parents of five children, who move from Romania to a small Norwegian village. Neon has pre-bought rights for North America, the UK, Australia and New Zealand. Goodfellas is selling.

Exiled Russian filmmaker Andrey Zvyagintsev last two films (Leviathan, The Loveless) premiered in Cannes and he returns this year with his first feature since 2017, Minotaur. The film, which shot in Latvia, is a political fable about a Russian businessman confronting crisis and trauma in his professional and personal life. Sold by mk2, Mubi has already bought rights in North America, UK, Ireland, Germany, Austria and Latin America.

Ira Sachs, whose Frankie played in Competition in 2019, returns with The Man I Love, set in 1980s New York and billed as “a musical fantasia of a city under duress” when AIDS is wreaking havoc, staring Rami Malek, Tom Sturridge, Luther Ford, Rebecca Hall and Ebon Moss-Bachrach. Sachs is the only US filmmaker in Competition so far.

Spanish titles

From Spain, Rodrigo Sorogoyen comes with The Beloved (El Ser Querido), starring Javier Bardem as a celebrated filmmaker shooting a 1930s‑set drama in the Sahara desert who is reunited with his daughter, a struggling actress. The director’s previous features include 2022 Cannes Premiere title The Beasts, which went on to win nine of Spain’s Goya awards. Goodfellas is selling.

Pedro Almodovar’s Bitter Christmas, which recently opened in Spain, also gets a Competition slot. The story follows Elsa, an advertising director who does not give herself time to mourn the death of her mother in December, and travels to Lanzarote with her friend Patricia. It will be the Spanish director’s eighth film in Competition.

Also from Spain, filmmaking duo Javier Ambrossi and Javier Calvo come with their second feature The Black Ball is a queer-themed story spanning three years in Spanish history: 1932, 1937 and 2017. The ensemble cast includes Penélope Cruz, Glenn Close, Lola Dueñas, Miguel Bernardeau, Carlos González and singer-songwriter Guitarricadelafuente in his screen debut. Goodfellas is selling.

From Japan, Hirokazu Kore-eda – who won the Palme d’Or in 2018 for Shoplifters - brings Sheep In The Box, set in the near future about a couple who take a humanoid robot into their home as their son. Goodfellas handles international sales, with K2 Pictures repping Asia.

Oscar winning Japanese director Ryusuke Hamaguchi, who was previously in Competition with Asako I & II in 2018 and Drive My Car in 2021, returns with All Of A Sudden. The Japan-France co-production marks Hamaguchi’s first film shot outside Japan and stars Virginie Efira as a woman running a nursing home beset with staff shortages and Tao Okamoto as a stage director battling terminal cancer.

Japan’s Koji Fukada comes with Nagi Notes, centring on a sculptor living in the shadow of a past love that continues to shape her art. Fukada has had three films at Cannes previously, including Harmonium which played in Un Certain Regard in 2016 and 2025’s Love on Trial in Cannes Premiere. Mk2 is selling.

Making her competition debut is German director Valeska Grisebach with The Dreamed Adventure. Set in the border region between Bulgaria, Greece, and Turkey, it’s about a woman who agrees to a deal to help an old acquaintance, entering dangerous territory, where she is confronted not only with her own past but also with her desires. Grisebach’s film Western played in Un Certain Regard in 2017.

Promoted to Competition with Gentle Monster is Marie Kreutzer, the Austrian director of Corsage which played in Un Certain Regard. Gentle Monster unites Lea Seydoux and Catherine Deneuve for a drama about a renowned pianist who relocates her family to the countryside and uncovers a life-shattering truth. Mk2 is selling.

French contingent

France’s Lea Mysius jumps into Competition with Stories Of The Night starring Hafsia Herzi, Monica Bellucci and Bastien Bouillon. Mysius’ Ava and The Five Devils both premiered at Cannes, in Critics’ Week and Directors’ Fortnight respectively.

Also moving into Competition is France’s Charline Bourgeois-Tacquet with A Woman’s Life, after her debut Anais in Love world premiered at Critics Week in 2021. A Woman’s Life’s cast includes Léa Drucker and Mélanie Thierry. Told in eleven chapters, it is billed as a contemporary, nuanced and moving portrait of a woman in her fifties.

France’s Emmanuel Marre, who co-directed Critics’ Week 2021 title Rien A Foutre, makes his Competition debut with Notre Salut, a Second World War drama starring Anatomy Of A Fall’s Swann Arlaud.

France’s Jeanne Herry launches Garance, which reteams the director with Cannes favourite Adele Exarchopoulos. Herry penned the screenplay for Le Royaume, which played in Un Certain Regard in 2024.

Arthur Harari, the Oscar-winning co-writer of Anatomy Of A Fall and director of Onoda, which opened Cannes’ Un Certain Regard in 2021, is back with The Unknown. Lea Seydoux and Niels Schneider lead the cast of the film about a man who wakes up in the body of an unknown woman. Neon has already snapped up North American rights from Pathe.

Korean filmmaker Na Hong-Jin’s sci-fi thriller Hope, starring Hwang Jung-min, Zo In-sung, Hoyeon, Taylor Russell, Alicia Vikander, Cameron Britton and Michael Fassbender, is also selected for Competition. International sales are handled by Plus M Entertainment and UTA Independent Film Group representing North America. The director has had three films in Cannes official selection, most recently 2016 Out of Competition title Goksung.

Frémaux hinted that he would be adding one more film to Competition by a high-profile male director, without mentioning names. Missing from the competition line-up this year are anticipated films such as Paper Tiger by US filmmaker and Cannes regular James Gray, and The Entertainment System Is Down by Palme d’Or winner Ruben Östlund.

Park Chan-wook will preside over the jury. Peter Jackson and Barbra Streisand will receive the honorary Palme d’Or.

Official selection

Competition

  • Minotaur, Andrey Zvyagintsev
  • El Ser Querido, Rodrigo Sorogoyen
  • The Man I Love, Ira Sachs
  • Fatherland, Pawel Pawlikowski 
  • Moulin, Laszlo Nemes
  • Stories Of The Night, Lea Mysius
  • Fjord, Cristian Mungiu
  • Notre Salut, Emmanuel Marre
  • Gentle Monster, Marie Kreutzer
  • Nagi Notes, Koji Fukada
  • Hope, Na Hong-jin
  • Sheep In The Box, Hirokazu Kore-eda 
  • Garance, Jeanne Herry 
  • The Unknown, Arthur Harari
  • Sudden, Ryûsuke Hamaguchi
  • The Dreamed Adventure, Valeska Grisebach
  • Coward, Lukas Dhont
  • The Black Ball, Javier Ambrossi, Javier Calvo
  • Life Of A Woman, Charline Bourgeois-Tacquet
  • Parallel Tales, Asghar Farhadi
  • Bitter Christmas, Pedro Almodovar

Out of competition

  • Diamond, Andy Garcia
  • Nicolas Winding Refn, Her Private Hell 
  • L’Abandon, Vincent Garenq
  • Karma, Guillaume Canet
  • L’Objet Du Delit, Agnes Jaoui
  • L’Âge de fer, Antonin Baudry
  • The Electric Kiss, Pierre Salvadori 

Midnight Screenings

  • Colony, Yeon Sang-ho
  • Roma Elastica, Bertrand Mandico
  • Sanguine, Marion Le Coroller
  • Full Phil, Quentin Dupieux
  • Jim Queen, Nicolas Athane, Marco Nguyen

Cannes Premiere

  • Propeller One-Way Night Coach, John Travolta
  • The Samurai And The Prisoner, Kiyoshi Kurosawa
  • Heimsuchung, Volker Schlondorff
  • When The Night Falls, Daniel Auteuil

Special Screenings

  • John Lennon: The Last Interview, Steven Soderbergh
  • Avedon, Ron Howard
  • Les Survivants du Che, Christophe Réveille
  • Les Matins Merveilleux, Avril Besson

Un Certain Regard

  • All The Lovers In The Night, Yukiko Sode 
  • Everytime, Sandra Wollner
  • I Am Always Your Maternal Animal, Valentina Maurel
  • I’ll Be Gone In June, Katharina Rivilis
  • Yesterday The Eye Didn’t Sleep, Rakan Mayasi
  • Congo Boy by Rafiki Fariala
  • The Meltdown, Manuela Martelli
  • Club Kid, Jordan Firstman
  • Teenage Sex And Death At Camp Miasma, Jane Schoenbrun 
  • La Más Dulce, Laïla Marrakchi
  • Le Corset by Louis Clichy