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Your search for "Dont Look Back" D.A. Pennebaker found 7 results. Displaying results 1 to 7 | Search Help

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    D.A. Pennebaker talks Bowie, Dylan collaborations
    News

    D.A. Pennebaker talks Bowie, Dylan collaborations

    2016-06-13T07:00:00Z

    The renowned documentary film-maker delivered a masterclass with long-term collaborator Chris Hegedus.

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    How James Mangold avoided “standard biopic tropes” in Bob Dylan film ‘A Complete Unknown’
    Features

    How James Mangold avoided “standard biopic tropes” in Bob Dylan film ‘A Complete Unknown’

    2025-01-14T14:57:00Z

    The writer/director tells Screen about the film’s own five-year journey.

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    Sheffield Doc/Fest unveils 2016 line-up
    News

    Sheffield Doc/Fest unveils 2016 line-up

    2016-05-05T09:00:00Z

    Competition titles revealed; retrospectives of Ken Loach and Chantal Akerman; speakers include HBO documentaries president Sheila Nevins and revered filmmaker DA Pennebaker.

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    News

    Artisan buys Hegedus/Pennebaker doc Startup.com

    2000-08-06T23:46:00Z

    Artisan Entertainment has acquired Startup.com, the new documentary from veteran film-makers Chris Hegedus (The War Room, Moon Over Broadway) and DA Pennebaker (The War Room, Don't Look Back, Monterey Pop) in collaboration with first-timer Jehane Nouhaim. The film follows the development, growth and triumphs of an internet startup - govWorks.com, ...

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    Silent film tops documentary poll
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    Silent film tops documentary poll

    2014-08-01T11:44:00Z

    More than 200 critics and 100 filmmakers take part in poll.

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    IDFA reveals 2013 line-up
    News

    IDFA reveals 2013 line-up

    2013-10-11T11:26:00Z

    Selection includes competition titles, a focus on Southeast Asia and a ‘Top 10’ compiled by director Rithy Panh.

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    Barry Ackroyd at LFF: 'Camera is there to convince the audience'
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    Barry Ackroyd at LFF: 'Camera is there to convince the audience'

    2011-10-18T11:36:00Z

    Acclaimed cinematographer Barry Ackroyd said his documentary background informs the ‘verisimilitude’ in the way he shoots narrative films today.

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