All Competition articles – Page 3
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Reviews
‘Maestro’: Venice Review
Director/star Bradley Cooper conducts an impressively-mounted, if uneven, portrait of composer Leonard Bernstein
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Reviews
‘Adagio’: Venice Review
Pierfrancesco Favino and Toni Servillo play two ageing mob-men in the final part of Stefano Sollima’s Rome-set crime trilogy
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News
‘Maestro’ make-up designer responds to Bradley Cooper nose controversy: “Goal was to portray Leonard authentically”
Kazu Hiro said he “wasn’t expecting” the controversy; “I feel sorry that I hurt some people’s feelings.”
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Reviews
‘Finally Dawn’: Venice Review
Saverio Costanzo’s Cinecitta-set delight harks to the heyday of ‘Hollywood on the Tiber’ and co-stars Lily James and Willem Dafoe
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Reviews
‘Poor Things’: Venice Review
Emma Stone is a freshly minted woman of the world in Yorgos Lanthimos’s rich slice of period futurism
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Reviews
‘Ferrari’: Venice Review
Adam Driver gets behind the wheel of Michael Mann’s 1950s Italian period piece which never quite hits top gear
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Reviews
‘El Conde’: Venice Review
Pablo Larrain’s high-concept Netflix drama featuring Augusto Pinochet as an ageing vampire lacks bite
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Reviews
‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
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News
‘Io Capitano’: First English-language trailer for Matteo Garrone’s Venice competition drama (exclusive)
Follows the two young men as they leave Dakar and set off on a contemporary Odyssey
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Features
Venice 2023 preview: Screen’s guide to the Competition titles
Includes films from Ryusuke Hamaguchi, Agnieszka Holland, David Fincher, Sofia Coppola and more.
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Reviews
‘Clare’: Venice Review
The life and times of the founder of the Poor Clares, as written and directed by Susanna Nicchiarelli
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Reviews
‘No Bears’: Venice Review
Imprisoned Iranian filmmaker Jafar Panahi delivers a powerful statement of tenacity and defiance
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Reviews
‘Dry’: Venice Review
Paolo Virzi’s sprawling, inter-connected drama places a parched Rome in the middle of a three-year drought
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Reviews
‘Blonde’: Venice Review
Andrew Dominik’s adaptation of Joyce Carol Oates’ fictional novel paints a voyeuristic portrait of Marilyn Monroe
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Reviews
‘Beyond The Wall’: Venice Review
Iranian writer-director Vahid Jalilvand delivers a howl of political fury
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Reviews
‘The Son’: Venice Review
Florian Zeller follows up ‘The Son’ with another family drama, starring Hugh Jackman and Vanessa Kirby
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Reviews
‘Saint Omer’: Venice Review
Alice Diop’s fiction debut uses a real-life courtroom drama to challenge media assumptions
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Reviews
‘Lord Of The Ants’: Venice Review
Gianna Amelio’s dramatisation of a strange 1960s Italian trial may prove somewhat lost in translation
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Reviews
‘The Eternal Daughter’: Venice Review
Joanna Hogg and Tilda Swinton reteam for another resonant, personal work
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Reviews
‘The Banshees Of Inisherin’: Venice Review
Colin Farrell and Brendan Gleeson attempt to settle scores in Martin McDonagh’s darkly comic 1920s-set Irish drama