All articles by Jeremy Kay – Page 786
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Cinedigm, Slamdance plan digital slate
The pioneering distributor has struck a digital deal with Slamdance to launch a roster of features on Jun 11.
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Uni hires Seth Byers to strategy, research role
Seth Byers has joined Universal’s marketing team as evp of creative strategy and research.
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Film Society, Jaeger-LeCoultre launch residency
Jaeger-LeCoultre and the Film Society Of Lincoln Center are partnering on a multi-year partnership and launch of the upcoming Filmmaker in Residence initiative.
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Goeckner joins HFPA exec ranks
Gregory Goeckner has been appointed COO and general counsel at the Hollywood Foreign Press Association (HFPA).
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Girlfriend's Day gears up for autumn
Magic Stone Productions and Odenkirk Provissiero Entertainment announced on Tuesday [Jun 4] they will produce the feature Girlfriend’s Day.
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FundAnything hires Monster producer
In a novel development FundAnything has brought in Brad Wyman to serve as chief crowdfunding officer and head of the film/video/web division.
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Canadian Screen Awards to allow online submissions
Contenders for the 2014 Canadian Screen Awards will be able to apply online for the first time following a deal between The Academy Of Canadian Cinema & Television and secure digital media management company Yangaroo.
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LAFF unveils special events
Top brass at the Los Angeles Film Festival have unveiled the programming on their Coffee Talks event on Jun 16 as well as other attractions.
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FFI reports Cannes sales surge
Focus Features International co-president Alison Thompson announced on Monday [Jun 3] a raft of multi-territory deals from the Croisette on the Amy Winehouse doc, Mike Leigh’s Turner project, submarine thriller Black Sea and genre title Oculus.
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Troika, Coup ready Road
Troika Pictures and Coup d’Etat Films have signed Robert Sheehan, Dev Patel and Zoë Kravitz to star in The Road Within, an English-language adaptation of German comedic drama Vincent Will Meer.
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Outfest names writing lab fellows
Adam Baran, Rosie Haber, J Michael Feldman, Pete Mercurio and Julia Dwyer Sullivan have been selected for this year’s 2013 Screenwriting Lab, now in its 11th year and set to take place in June.
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Vision, XII Tribes plot Canada slate
Worldwide sales agent Vision Films announced on Monday [Jun 3] it had struck a deal with Montreal-based Archeos Entertainment to finance development and production on a slate of Canadian films from XII Tribes Entertainment.
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Lock & Monkey readies Ruby
Producer-director Zoe Quist has cast Judd Nelson, Jonathan Bennett, Daniel Ponickly and Antoinette Kalaj to play the leads in her upcoming Mining For Ruby.
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After Earth debuts third at US box office
Fast & Furious 6 held on to its number one berth in a second weekend for Universal while Lionsgate’s mystery Now You See Me arrived in second place and Sony had to settle for third with Will and Jaden Smith starrer After Earth.
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Hangover 3 tops Fast 6 at int'l box office
The Hangover Part III usurped Fast And Furious 6 at the international box office thanks to an estimated $82.3m haul through Warner Bros Pictures International on close to 8,600 screens in 54 markets.
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UPI roars past $1bn mark
Universal Pictures International has reached $1bn at the international box office in record time for the studio, crossing the target on May 31 to beat the previous mark of Jul 17.
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Drafthouse takes Borgman for US
Drafthouse Films announced on Friday [31] that it has acquired North American rights to Alex van Warmerdam’s thriller and Cannes competition entry Borgman.
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Well Go takes Iceman, Ip Man
Well Go USA Entertainment announced on Friday [May 31] it has picked up all North American rights in Cannes to Wing-cheong Law’s Iceman and separately closed a deal to distribute Ip Man: The Final Fight.
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Fast 6 faces Hangover 3 int'l clash
UPDATED MAY 31: Warner Bros’ The Hangover Part III arrives in more than 50 territories this weekend and will have a fight on its hands to dislodge Universal’s reigning champion Fast & Furious 6.
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Buyers respond to Silence
IM Global announced on Thursday [30] it had closed a raft of key territories in Cannes on Martin Scorsese’s upcoming period drama financed by Emmett/Furla Films, Corsan Films and Len Blavatnik’s AI Film.