Latest – Page 2580
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Dubai reveals dates for 2013 fest
Dubai International Film Festival (DIFF) has announced their 2013 dates and revealed figures of “its most successful edition” to date.
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Les Misérables holds high note at UK box office
Sony’s Django Unchained failed to take down Universal’s musical epic, which recorded a second straight week at number one.
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Berlin market on Asia's radar, Probst feted by the Swiss
EXCLUSIVE: Berlin’s European Film Market (EFM) is now firmly on the Asian film industry’s radar, according to market director Beki Probst.
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Rodar y Rodar unveils biggest ever slate
An English remake of The Orphanage and Julia’s Eyes are in the pipeline as well as new films by Oriol Paulo and Santiago Amodeo.
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Germany’s Commerzbank doubles film finance to $400m
Commerzbank, the second biggest bank in Germany, is planning to double its commitment to the financing of film and TV production for the next four years.
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Channel 4 subscribes to Lovefilm VoD service
Channel 4 has signed a digital content distribution deal with Lovefilm that will see a raft of shows including Peep Show and Father Ted added to the VoD service.
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Texas Instruments announces all-new DLP Pico chip architecture
The new Tilt & Roll Pixel architecture will allow increased efficiency and brightness, less power resolution and twice the resolution in products employing it.
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Technicolor provides custom lab for Boyle’s Trance
Technicolor provided full processing and digital lab support for the feature.
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Park Road Post's 48fps journey for The Hobbit
It took two and a half years of R&D and testing to create the workflow.
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New DaVinci Resolve release features support for Retina displays
DaVinci 9.1 will be able to run on the 15” Retina MacBook Pro at the best image quality setting.
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Codex Digital expands in 2013
Four of this year’s best picture nominees were recorded on Codex technology.
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Hong Kong's box office grows by 12%
Although now dwarfed by the mainland China market, Hong Kong’s box office continues to grow; reaching $200.7m (HK$1.56bn) in 2012, a 12% increase on $177.8m (HK$1.38bn) the previous year.
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China box office round-up 2012: China becomes world's second biggest market
China’s box office grew by 30% to reach $2.74bn (RMB17.07bn), according to the State Administration of Radio, Film and Television (SARFT), making it the second biggest box office territory in the world.
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Sundance: IFC finds Love, A24 gets Spectacular
UPDATED JAN 21: IFC’s North American deal for The Look Of Love closed on Sunday evening following a negotiation with StudioCanal. Meanwhile A24 confirmed it had acquired North American rights to The Spectacular Now for what was believed to cost $1.5m after Screendaily was the first to report on Sunday ...
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Sundance: Elle Driver takes int’l rights to Twenty Feet
Elle Driver/Wild Bunch negotiated the deal for the opening night film with busy Submarine in the run-up to the EFM in Berlin next month. Separately, HBO Documentary Films has snapped up US television rights to Pussy Riot - A Punk Prayer.
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Sundance: Talks intensify on Don Jon, Look Of Love
Don Jon’s Addiction’s North American sales representatives CAA and WME have been spending Sunday hearing marketing pitches from around seven suitors as the asking price is understood to have reached $4-5m.
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Amour scores hat trick at London Critics’ awards
Michael Haneke’s Amour has picked up awards for Best Film, Actress and Screenwriter at the 33rd London Critics’ Circle Film Awards.
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Horror tale Mama opens top in US on $28.1m
Oscar nominee Jessica Chastain stars in the top two releases in North America after Mama debuted at number one and Zero Dark Thirty slipped one place to number two. Arnold Schwarzenegger’s first starring role in almost a decade, The Last Stand, flopped in tenth place.
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Sundance: Dirty Wars finds home at Sundance Selects
Sales representative Submarine and distributor Sundance Selects have concluded negotiations for a North American deal on Richard Rowley’s documentary, their second piece of business together in two days following Saturday’s deal for The Summit.
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Django Unchained rules international on $48.1m debut
Quentin Tarantino’s revenge Western opened on 6,235 screens in 54 markets through Sony Pictures Releasing International (SPRI) in an emphatic launch that finished some 30% higher than the aggregated opening weekends of Inglourious Basterds in the same markets.