Latest – Page 63
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Reviews
The Burning Plain
Dir: Guillermo Arriaga. USA. 2008. 105 mins.His much-publicised falling out with director Alejandro Gonzalez Inarritu seems to have done Guillermo Arriaga the world of good. The Burning Plain, which the Mexican writer directed from his own script, is a powerful contemporary melodrama, more restrained but also ...
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Reviews
Achilles And The Tortoise
Dir: Takeshi Kitano. Japan. 2008. 119mins.Takeshi Kitano’s trilogy looking at his own career, his relations to the industry and cinema itself takes yet another turn in its final part which at first appears to be less self-obsessed than his two previous efforts but soon follows the ...
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Reviews
Cold Lunch (Lonsj)
Dir: Eva Sorhaug. Norway. 2008. 86mins.A few good scenes, some quirky characters and a striking visual style don’t quite add up to a hot meal in Eva Sorhaug’s bite-sized Cold Lunch. Screening as an out of competition title in this year’s Critics’ Week, the Norwegian interlinked ...
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Reviews
Religulous
Dir: Larry Charles. US. 2008. 100mins.A blunt satiric object applied to delicate subject matter, Religulous is a consistently funny if one-sided putdown of society’s blind devotion to its many religious faiths. In the hands of Borat director Larry Charles and American political comedian Bill Maher, the ...
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Reviews
Paris 36 (Faubourg 36)
Dir. Christophe Barratier. 2008. Fr/Ger/Czech Republic. 120 min.The proud sentimentality that made Christophe Barratier’s first film, Les Choristes, a runaway hit in France is back with a vengeance in Paris 36 (Fabourg 36) a retro musical with all the period trappings of 1936 France, from accordion ...
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Reviews
Ocean Flame
Dir: Liu Fendou. Hong Kong. 2008. 130minThis over-stylized tale of mad love Hong Kong-style, featuring gangsters and copious sex and nudity, plays like a more modest but no less ambitious companion piece of sorts to last year’s steamy Lust, Caution. Tailored for a western audience, its ...
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Reviews
Knitting
Dir: Yin Lichuan. China. 2008. 100mins.An unlikely menage a trios drifts on the margins of legality while struggling to make a living of sorts in Yin Lichuan’s deliberately reticent film. If withholdinginformation rates as an artistic achievement, then Knitting could make a mark in arthouse berths ...
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