Latest – Page 10
-
Reviews‘Upon Open Sky’: Venice Review
A teenage trio go on the hunt for revenge in this lacklustre road movie penned by Guillermo Arriaga
-
Reviews‘El Conde’: Venice Review
Pablo Larrain’s high-concept Netflix drama featuring Augusto Pinochet as an ageing vampire lacks bite
-
Reviews‘City Of Wind’: Venice Review
A 17 year-old shaman comes of age in this remarkably-assured debut feature from Mongolia
-
Reviews‘God Is A Woman’: Venice Review
Panama’s indigenous Kuna fight to reclaim a documentary filmed in their community in 1975
-
Reviews‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
-
Reviews‘Vera’: Review
Italian socialite Vera Gemma plays a version of herself in Tizza Covi and Rainer Frimmel’s hybrid docudrama
-
Reviews‘Dirty Difficult Dangerous’: Hamburg Review
Two refugees find love against the odds in modern Beirut
-
Reviews‘Trenque Lauquen’: San Sebastian Review
Laura Citarella’s two linked features search for a missing woman in the pampa who might not want to be found
-
Reviews‘When The Waves Are Gone’: Venice Review
Filipino director Lav Diaz takes direct aim at the Duterte regime with this tale of crime and corruption
-
Reviews‘The Hanging Sun’: Venice Review
UK/Italian Jo Nesbo adaptation from Sky closes out the 79th Venice Film Festival with a thud
-
Reviews‘Our Ties’: Venice Review
Roschdy Zem’s sixth feature, co-starring him and co-written with Maiwenn, competes at Venice
-
Reviews‘Clare’: Venice Review
The life and times of the founder of the Poor Clares, as written and directed by Susanna Nicchiarelli
-
Reviews‘The Listener’: Venice Review
Tessa Thompson’s poised presence elevates Steve Buscemi’s intimate drama about a helpline volunteer
-
Reviews‘No Bears’: Venice Review
Imprisoned Iranian filmmaker Jafar Panahi delivers a powerful statement of tenacity and defiance
-
Reviews‘Queens’: Venice Review
Yasmine Benkiran’s tale of two women on the run from authorities through Morocco closes Venice Critics Week
-
Reviews‘Call Of God’: Venice Review
Kim Ki-Duk’s posthumous final film fails to leave a lasting impression
-
Reviews‘Dry’: Venice Review
Paolo Virzi’s sprawling, inter-connected drama places a parched Rome in the middle of a three-year drought
-
Reviews‘Blonde’: Venice Review
Andrew Dominik’s adaptation of Joyce Carol Oates’ fictional novel paints a voyeuristic portrait of Marilyn Monroe
-
Reviews‘The Damned Don’t Cry’: Venice Review
A mother and son reside on the fringes of Moroccan society in Fyzal Boulifa’s impressive second feature
-
Reviews‘Beyond The Wall’: Venice Review
Iranian writer-director Vahid Jalilvand delivers a howl of political fury








![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)







