Latest – Page 11
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Features‘September 5’ star John Magaro: "I’ve constantly had to reintroduce myself to the public"
The actor stars as ABC Sports producer Geoffrey Mason in ’September 5’.
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FeaturesIn conversation: ‘Hard Truths’ duo Marianne Jean-Baptiste and Michele Austin on Mike Leigh’s unique process
Longtime Mike Leigh collaborators play two very different sisters living in north London.
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Features‘Sing Sing’ star Clarence Maclin on why he hopes his story can inspire others
Clarence Maclin learned to act inside prison — a redemptive journey celebrated in Greg Kwedar’s film Sing Sing.
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FeaturesWhy outsourcing and AI means the US animation sector is facing hefty challenges in 2025
Despite the 2024 box-office numbers, the animation industry has been experiencing some seriously choppy waters.
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FeaturesNew Talent: ‘Vittoria’ filmmakers Alessandro Cassigoli and Casey Kauffman enjoy weaving fact with fiction
Venice Horizon’s title ‘Vittoria’ has proved the perfect calling card for what the Italy-US directing duo want to do.
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Features‘Anora’ director Sean Baker on making his most audience-friendly film, why he’s “worried about the next one”
Baker tells Screen how he shaped his Palme d’Or winner.
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FeaturesEdward Berger on achieving his "razor sharp" ‘Conclave’ shots, upcoming projects
Edward Berger follows an Oscar-winning First Word War drama with a papal thriller. He tells Screen how he was bewitched by the intrigue and power play of Conclave.
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FeaturesLove, violence and awful behaviour: the making of Rose Glass’s ‘Love Lies Bleeding’
Rose Glass and her ‘Love Lies Bleeding’ co-writer Weronika Tofilska on making their uncompromising US-set crime thriller.
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FeaturesBaftas 2025: fierce competition faces titles competing for the British-only categories
Top contenders include ’Conclave’, ’Blitz’, ’Gladiator II’, ’We Live In Time’ and ’Civil War’.
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FeaturesIn conversation: Nora Fingscheidt and Halina Reijn on ‘The Outrun’, ‘Babygirl’ and navigating cultural barriers
The duo discuss the processes of making their films and where the future might take them.
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FeaturesUS producers are mobilising to protect their rights – and careers – in a changed industry
Without an official union, US producers are lobbying in different ways to improve their representation.
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FeaturesPedro Almodovar on ‘The Room Next Door’: “I feel naked with the reality of mortality”
Pedro Almodovar confronts issues of mortality in his first English-language feature ‘The Room Next Door’.
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Features“It’s a hard industry to be a woman”: Marielle Heller on making a film for mothers in ‘Nightbitch’
Marielle Heller’s fourth feature adapts a bestselling novel about a harried mother who seems to be turning into a dog.
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FeaturesDenis Villeneuve breaks down four key scenes from ‘Dune: Part Two’: “It required a lot of patience from the actors”
Villeneuve opens up on the Harkonnens floating in the desert opening sequence, and Feyd-Rautha’s brutal birthday on Giedi Prime.
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Features‘A Real Pain’: why Kieran Culkin’s first post-‘Succession’ role proved a challenge
During the production of A Real Pain, Kieran Culkin’s loose approach frequently collided with director Jesse Eisenberg’s meticulous planning
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FeaturesKarla Sofia Gascon: “As ‘Emilia Pérez’ shows, we all have time to change and become better people”
Karla Sofia Gascon describes her long journey to the gender-switching role she plays in Emilia Pérez.
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FeaturesKate Winslet on starring in ‘Lee’ and why she is producing for the first time: "I care about not winging it"
Winslet tells Screen why she is storming through the next chapter of her career.
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FeaturesAwards Whispers: our anonymous Bafta voters weigh in on their early favourites
”Filmmakers are taking big swings”
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FeaturesGlen Powell on why ‘Hit Man’ was a tough sell for studios
After a string of failed auditions saw Powell dropped by his agency, the actor took control of his own destiny.
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FeaturesWho are the early Oscar and Bafta frontrunners in the director and screenplay categories?
Coralie Fargeat, Brady Corbet, Payal Kapadia and Sean Baker are among the ones to watch.