Latest – Page 28
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Features
Fabrice du Welz’s ‘Maldoror’, about Belgian serial killer Marc Dutroux, is first in planned trilogy about “my very strange country”
The film premieres out of competition at Venice on September 2.
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“Calm on set”: How Venice title ‘My Everything’ has helped to pioneer accessibility practices while filming
’My Everything’ and box office smash ’A Little Bit Of Everything’ both boasted the first ’accessibility coordination manager’ role.
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‘There was no budget’: The Quay Brothers on their epic 19 -year journey to make ‘Sanatorium Under The Sign Of The Hourglass’
Acclaimed UK-based animators have spent 19 years creating their latest feature-length film, a mixture of stop-motion and live action.
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Features
How a new documentary sheds light on Jerry Lewis’s notorious lost film ‘The Day The Clown Cried’
Directors Michael Lurie and Eric Friedler have unearthed lost footage from ’The Day The Clown Cried’.
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My Screen Life: UK producer Rebecca O’Brien on her love of cold-water swims and 1960s musicals
Revered UK producer O’Brien is a long-time collaborator of director Ken Loach and screenwriter Paul Laverty.
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How TorinoFilmLab is making sustainability more accessible for European film producers
TorinoFilmLab’s pioneering Green Production Lab will match sustainability experts with European film producers to create a practical green plan for an upcoming project
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Features
Is the super-sized multiplex cinema on its way out in the UK?
“You see far fewer 10, 12 or 14-screen cinemas opening now.”
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Is Creative Europe Media "drifting away" from its core cultural objectives?
The Creative Europe Media programme has long been a cornerstone of the European film industry. But some worry it is now prioritising business objectives over cultural ones — and independent filmmakers are losing out.
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How Laika’s ‘Coraline’ became the re-release hit of the year
The ‘Coraline’ re-release has passed $27m worldwide.
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The lowdown on all the Venice Film Festival 2024 titles
Screen profiles all the films in the Venice Film Festival’s official selection and parallel sections.
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Features
Venice 2024 preview: Screen’s guide to the Competition titles
Includes films from Luca Guadagnino, Todd Phillips, Dea Kulumbegashvili, Pablo Larrain and Wang Bing.
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Features
Venice 2024 preview: Screen’s guide to the Out of Competition titles
Includes new films from Errol Morris, Tim Burton, Kevin Macdonald, Petra Costa, Asif Kapadia and Harmony Korine.
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Venice 2024 preview: Screen’s guide to the Horizons titles
Includes films from Alex Ross Perry, Valerio Mastandrea and Scandar Copti.
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Venice 2024 preview: Screen’s guide to the Critics’ Week titles
Includes UK title ’Paul & Paulette Take A Bath’ and Trump supporter documentary ’Homegrown’.
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Venice 2024 preview: Screen’s guide to the Giornate degli Autori titles
Politics and relationships dominate the Venice Film Festival sidebar.
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Features
‘Stranger Eyes’ director Yeo Siew Hua on how his Venice Competition drama came close to being shelved
The surveillance thriller is the first from Singapore to ever compete for the Golden Lion.
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How the North American box office achieved a remarkable U-turn this summer
A steady string of hits in the final weeks of the season have changed the narrative.
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Features
Serbian director Vuk Rsumovic on why ‘Dwelling Among The Gods’ is a modern-day retelling of Antigone
“Dwelling Among The Gods’ is making its world premiere in competition at the Sarajevo Film Festival.
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Features
Why it has been a summer of two halves at the UK & Ireland box office
Screen reports on a market that remains optimistic about the year in full.
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Features
“I’m trying to challenge the canon,” says Mark Cousins of 16-hour ‘The Story Of Documentary Film’
Mark Cousins’ Karlovy Vary winner ’A Sudden Glimpse To Deeper Things’ is now screening at Edinburgh.