Latest – Page 33
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FeaturesWord of Mouth - ‘Scoop’ director Philip Martin on his favourite cinema and love of ‘Traffic Cops’
The London-based director of Netflix’s ’Scoop’ turns to his kids and The New Yorker for viewing recommendations.
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FeaturesBehind the success of France’s ‘A Little Something Extra’: “We promoted it like an American blockbuster”
A debut feature made for just over €6m has grossed an enormous €55m in France so far.
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FeaturesFour producers at Transilvania Pitch Stop unveil feature projects
The four are among the producers in Cluj looking for international partners.
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FeaturesMy Screen Life: Fernando Meirelles on quitting architecture and his fears for the future
Meirelles directed episodes of Sympathizer and Sugar.
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FeaturesSeven talking points from CineEurope 2024
Q2’s box-office wobble, the return of animation, and potential closures in the UK were on the agenda.
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FeaturesAnthony Boyle on his ‘Masters Of The Air’ and ’Manhunt’ roles: “I love the physicality and the mental stuff”
After starring as a heroic Second World War navigator, Boyle wanted to “play someone the polar opposite”.
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FeaturesSix Raindance directors talk about making their first films
The international line-up features directors working in Germany, Georgia, Hungary, Italy, the UK and Spain.
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FeaturesRaindance artistic directors on bolstered industry programme and “testing the waters” with June date
Martyna Szmytkowska and Malaika Bova’s second edition sees them double down on support for emerging filmmakers.
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FeaturesEva Birthistle on her directorial debut, Ken Loach’s support and the future of ‘Bad Sisters’
The Irish actor’s directorial debut feature is world premiering at Raindance Film Festival.
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FeaturesThe personal touch made all the difference to the second series shoot of ‘Tokyo Vice’ in Japan
The show’s creative team reveal how filming series two was “night and day” compared to series one
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Features“There were doors slammed in its face”: David Oyelowo on spending a decade trying to make ‘Lawmen: Bass Reeves’
“The only place you can land is a prejudice against a Black protagonist, a Black-centred story.”
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Features’Night Country’ showrunner Issa López on turning ‘True Detective’ on its head
Jodie Foster told López she wanted to play “an impossible asshole” on the HBO show.
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FeaturesRoger Ross Williams on social-issue stories and shaking up Ampas’s documentary branch
The US director of films including God Loves Uganda, Life, Animated and Stamped From The Beginning held a masterclass at Sheffield Doc/Fest.
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Features10 European titles that could make a box office splash in 2024
Local-language films have already delivered some of the biggest hits of 2024 in France and Germany.
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FeaturesElla Purnell on why ‘Fallout’ was the most challenging project of her career
British star Purnell was named a Screen International Star of Tomorrow in 2010,
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FeaturesWhat can the international industry expect of this year’s RO Days programme in Transilvania?
Head of industry Dumitrana Lupu gives the lowdown on key projects, filmmakers and initatives to look out for.
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Features“The state of European cinema is not so rosy”: Transilvania’s Mihai Chirilov on the challenges facing rising filmmakers
The Transilivania International Film Festival opens today and runs until June 24 in the Romaianian town of Cluj.
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FeaturesJapanese auteur Kiyoshi Kurosawa talks remaking crime thriller ‘Serpent’s Path’ in France
The film is a remake of his own 1998 film of the same name.
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FeaturesHow UK indie exhibitors are engaging younger audiences with arthouse cinema
“We are seeing a flourishing of young cinephile audiences.”
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Features‘Ripley’ creator Steven Zaillian on making Netflix series “feel more like a novel”
“I always imagined it in black and white,” he tells Screen.