Latest – Page 35
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FeaturesWhy the remake rights market is buzzing
This year’s Cannes Market included a pitching session for European feature-film IP.
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FeaturesMichael Hazanavicius on animated Cannes Competition title ‘The Most Precious of Cargoes’
The film will open the upcoming Annecy animation film festival.
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FeaturesWhy no one knows how to talk about Israel and Gaza
How does an industry that prides itself on free speech and healthy debate navigate the traumas of war?
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![Marie-Claire Benson Photo 2_Credit Richard Chambury-Lionsgate[1]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/5/3/7/1424537_marieclairebensonphoto2_creditrichardchamburylionsgate1_218576.jpg)
FeaturesMy Screen Life: Lionsgate UK’s Marie-Claire Benson on the UK-focused acquisitions strategy
The head of Lionsgate UK was inspired early in her career by several women leaders.
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FeaturesCelebrating the winners of the 2024 Global Production Awards
The second Global Production Awards were held earlier this week in Cannes, with 13 competitive and one special recognition award handed out.
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FeaturesThe 18-year journey to make Cannes Competition title ‘Beating Hearts’
The film is Studiocanal’s biggest budget French feature yet.
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Features“Genre is political”: Emma Benestan talks about her Critics’ Week closer ‘Animale’
The French-Algerian director says the film was inspired by its Camargue location.
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Features‘Santosh’ producer on the freedom of filming in India
Whether working on the railways or planning around monsoons, there was a freedom to filming in India with a dedicated local crew, the UK producer of Sandhya Suri’s Santosh tells Screen.
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FeaturesWhy one Australian beach proved the perfect location for Nicholas Cage thriller ‘The Surfer’
Screen talks to producer James Grandison about finding the perfect surf break.
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FeaturesThe Palme d’Or whisperer: Neon’s Jeff Deutchman on the company’s Cannes strategy
“The only real way to do Cannes is to go see as many movies as you can.”
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FeaturesHow the #MeToo movement helped inspire Noémie Merlant to make ‘The Balconettes’
Noémie Merlant tells Screen about the journey to Cannes for her second feature, female-led horror comedy The Balconettes.
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FeaturesSaudi Arabia lures international productions with state-of-the-art facilities
The Kingdom of Saudi Arabia has positioned itself as a desirable location for international productions thanks to its high incentive and state-of-the-art filming centres.
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FeaturesSouth Africa is aiming to become a global player in the film and TV sector
South Africa is hoping to entice even more international production partners with its wide range of benefits, both financial and creative.
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Features’Dog On Trial' director-star Laetitia Dosch on turning her stage play into a Cannes film
Actor-turned-director Laetitia Dosch tells Screen about the inspiration behind her feminist courtroom comedy.
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FeaturesHow Switzerland is embracing its role as a vital international production partner
Switzerland is the country in focus at the Cannes market this year.
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FeaturesInside France’s masterplan to lure more international blockbusters
France is positioning itself as a one-stop shop for international production.
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FeaturesRungano Nyoni talks feeling the pressure with her second film ‘On Becoming A Guinea Fowl’
The feature is showing in Cannes Un Certain Regard
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FeaturesHow Spain became a winning backdrop for international film and TV shoots
Spain offers a plethora of diverse landscapes and urban locations, making it a winning backdrop for international shoots.
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FeaturesVolcanic and tropical landscapes make the Canary Islands a unique shooting location
The Spanish archipelago has a different tax regime to Spain’s mainland and is able to offer significantly higher rates.
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FeaturesNew tax breaks have dramatic effect as the Basque Country becomes a go-to destination for filmmakers
Bilbao, and its territory Bizkaia, is now offering one of the highest tax incentives in Europe.