Latest – Page 9
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FeaturesCannes 2025 line-up guide: Un Certain Regard titles
This year includes films from Kristen Stewart, Scarlett Johansson, Akinola Davies Jr and Harris Dickinson.
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FeaturesCannes 2025 line-up guide: Competition and Out Of Competition titles
Line-up includes films from Lynne Ramsay, Ari Aster, Oliver Hermanus, Kelly Reichardt, Wes Anderson and Joachim Trier.
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FeaturesHow nurturing rising talent has helped Tono Folguera to become one of Spain’s leading producers
The Barcelona producer’s credits include Carlos Marqués-Marcet’s They Will Be Dust, and Carla Simón’s Alcarràs.
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FeaturesMarketing ‘A Minecraft Movie’: “blockifying’ the world” and chasing Generation Z
Warner Bros./Legendary video game smash passed $720m at the global box office through April 20.
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FeaturesWhy Europe’s Together Fund has raised €58m in venture capital to invest in indie film and TV producers
“We are looking to take minority shares in independent scripted film and TV companies,” says Alexandra Lebret.
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FeaturesCould EU’s new financing schemes reshape the European film industry?
The EU is seeking to boost financing for European filmmakers through its equity investment scheme and loan-guarantee facility.
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FeaturesSix talking points from CinemaCon 2025
Annual exhibitors convention ran March 31-April 3 in Las Vegas.
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FeaturesHow upstart Korean distributor By4M Studio is scoring box office hits and beating the competition
The newcomer has scored a hat-trick of box office leaders with ‘Firefighters’, ‘Hitman 2’ and ‘The Match’.
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Features“It’s a form of resistance,” says Visions du Réel’s Emilie Bujès of record submissions to 2025 edition
The documentary competition opens today in Switzerland with Christian Frei’s ‘Blame’.
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Features“The English-language market is key,” says Mediawan Pictures CEO of the group’s ambitious strategy
Elisabeth d’Arvieu, CEO of Mediawan Pictures, explains why leveraging the company’s global reach and talent relationships is key.
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FeaturesHow France maintains its vibrant market for arthouse films
“The work of distributors and cinemas has been built up for the past 20 or 30 years, and audiences have evolved with it.”
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FeaturesHow indie Oscar contenders flourished at the North American box office
‘Anora’, ‘Flow’ and ‘I’m Still Here’ have also brought in flourishing results.
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FeaturesHow local blockbusters helped cinemas in Vietnam recover from the pandemic
Given that major markets such as China and the US are struggling to match pre-pandemic levels, Vietnam has staged a remarkable recovery.
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Features“Donna Langley trusts us”: Focus Features’ Peter Kujawski on Universal relationship
Screen talks to Focus Features chairman about the company’s ethos and future plans.
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FeaturesHow North American cinemas are aiming to “eventise” the theatrical experience
After years of under-investment since the pandemic, the top eight North American exhibitors have pledged to spend $2.2bn on upgrades over the next three years.
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FeaturesWhat next for Ireland’s Omniplex Cinemas after move into UK market?
Screen talks to director Paul John Anderson about the company’s ambitions.
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Features"Plenty of room in the market": What’s next for the thriving premium format cinema sector?
Premium format technologies are creating compelling reasons for audiences to see films on the big screen.
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![[Clockwise from L-R]: Swindon Vue, Curzon Kingston, Edinburgh Everyman, Reel Farnham](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/5/6/1446956_ukcinemas_321494.jpg)
FeaturesUK exhibitors look ahead to 2026: “The end of this horror show”
Screen talks to key players in the UK exhibition space about a sector in flux.
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FeaturesChoppy US Q1 box office has industry hoping for calmer waters
Box office year-to-date trails same period of 2024 by 7% – but there are glimmers of hope.
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FeaturesHow UK agents are grappling with US competition and sky-high talent fees
In a joint report, Screen International and sister title Broadcast investigate the present state of play for UK agents.