All articles by Lee Marshall – Page 4
-
Reviews‘2073’: Venice Review
Asif Kapadia blends documentary and fiction to present a damning hypothesis of Earth’s dystopian future
-
Reviews‘The Mohican’: Venice Review
An unassuming Corsican goatherd becomes the figurehead of a resistance movement in this assured thriller
-
Reviews‘Wolfs’: Venice Review
George Clooney and Brad Pitt hit the comedy bullseye as two solitary fixers forced to work together
-
Reviews‘Vittoria’: Venice Review
A working-class Naples mother dreams of adding to her family in this affecting and very real drama
-
Reviews‘Nineteen’: Venice Review
Luca Guadagnino produces this limber coming of age debut about a 19-year-old Italian literary student
-
Reviews‘Feeling Better’: Venice Review
Italian actor-turned-director Valerio Mastandrea imagines the rich internal life of coma patients in this hit-and-miss comedy
-
Reviews‘Death Will Come’: Locarno Review
A female contract killer takes on a job for a prominent gangster in Christoph Hochhausler’s Brussels-set noir
-
Reviews‘Two To One’: Munich Review
Sandra Huller takes a central role in this sentimental heist comedy set in East Germany of 1990 which kicks off the Munich Film Festival
-
Reviews‘Where Elephants Go’: Transilvania Review
A 20-something drifter and a young cancer patient make a connection in this Bucharest-set comedy/drama
-
Reviews‘She’s Got No Name’: Cannes Review
Peter Chan delivers a stirring widescreen melodrama set in Shanghai of the 1940s to round out Cannes 2024
-
Reviews‘Jim’s Story’: Cannes Review
Karim Leklou’s bittersweet performance anchors this tale of fatherhood from the Larrieu brothers
-
Reviews‘Parthenope’: Cannes Review
Paolo Sorrentino returns to Naples for this problematic tale of the eponymous young beauty
-
Reviews‘Horizon: An American Saga’: Cannes Review
The first part of Kevin Costner’s over-stuffed Western epic rides into Cannes
-
Reviews‘Emilia Perez’: Cannes Review
A Mexican drug-lord undergoes gender reassignment in Jacques Audiard’s stylish Spanish-language musical
-
Reviews‘Twilight Of The Warriors: Walled In’: Cannes Review
Soi Cheang returns triumphantly to Hong Kong genre cinema with this old-school 80s actioner set in Kowloon’s Walled City
-
Reviews‘Holy Cow’: Cannes Review
A farmers son must suddenly step up to his responsibilities in this debut from Louise Courvoisier set in rural France
-
Reviews‘An Unfinished Film’: Cannes Review
A Chinese film crew is caught up in the Covid-19 outbreak in Lou Ye’s absorbing lockdown drama
-
Reviews‘Bird’: Cannes Review
Andrea Arnold blends gritty and magical realism in her Kent-set Competition title starring Barry Keoghan
-
Reviews‘My Place Is Here’: Review
Post-war patriarchal Italy is the setting for another take on an independent woman trying to make her own way
-
FeaturesHow ‘To Kill A Tiger’ director shone a light on India’s gender violence
Nisha Pahuja set out to make a film about male consciousness-raising on gender issues in India, then found herself in the middle of a case of child rape. She tells Screen how the victim’s courageous family inspired her to tell their story in To Kill A Tiger.














