All articles by Lee Marshall – Page 4
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Reviews
‘Lord Of The Ants’: Venice Review
Gianna Amelio’s dramatisation of a strange 1960s Italian trial may prove somewhat lost in translation
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Reviews
‘In Viaggio’: Venice Review
Gianfranco Rosi presents a surprising portrait of Pope Francis as he travels the world
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Reviews
‘The Kiev Trial’: Venice Review
Sergei Loznitsa’s archive documentary about the 1946 Nazi war trials is a powerfully resonant testimony
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Reviews
‘Margins’: Venice Review
Niccolo Falsetti’s engaging debut celebrates male friendship and Italy’s underground punk scene
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Reviews
‘Bones And All’: Venice Review
Two teen cannibals attempt to find their way in Luca Guadagnino’s tender romantic drama
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Reviews
‘La Syndicaliste’: Venice Review
Isabelle Huppert plays a real-life union leader who endured a horrifying attack
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Reviews
‘White Noise’: Venice Review
Noah Baumbach’s long-awaited adaptation of the dated Don DeLillo novel opens the Venice Film Festival
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Reviews
‘Princess’: Venice Review
Roberto De Paolis’ impressive second feature examines the life of a Nigerian prostitute outside Rome
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Reviews
‘Pacifiction’: Cannes Review
Albert Serra’s latest is the strangely captivating tale of a colourful politician in French Polynesia
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Reviews
‘Butterfly Vision’: Cannes Review
Maksym Nakonechnyi’s debut feature is a sensitive meditation on the psychological effects of war
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Reviews
‘The Mountain’: Cannes Review
Actor-director Thomas Salvador gives a muted performance against the majesty of the Mont Blanc mountain
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Reviews
‘Nostalgia’: Cannes Review
Pierfrancesco Favino anchors Mario Martone’s passionate contemporary ghost story set in Naples
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Reviews
‘The Five Devils’: Cannes Review
A girl’s powerful sense of smell suddenly starts to evoke times before she was born in Lea Mysius’ follow-up to ‘Ava’
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Reviews
‘The Worst Ones’: Cannes Review
The burgeoning genre of street-kid cinema is lampooned in this unbalanced satire
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Reviews
‘Diary Of A Fleeting Affair’: Cannes Review
A couple embarks on a spring romance in Emmanuel Mouret’s traditionally French romantic comedy
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Reviews
‘R.M.N.’: Cannes Review
Cristian Mungiu paints a sombre portrait of modern xenophobia in his Romanian homeland
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Reviews
‘Mariupolis 2’: Cannes Review
Killed in the city he portrays, the final film from the late Mantas Kvedaravicius was finished by his Ukrainian partner Hanna Bilobrova
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Reviews
‘Alma Viva’: Cannes Review
Portugese Critics Week debut summons a gentle spirit in its tale of tradition and modernity
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Reviews
‘Exterior Night’: Cannes Review
Marco Bellocchio returns to familiar territory with a TV series dramatising the kidnapping of Italian politican Aldo Moro