All articles by Lee Marshall – Page 5
-
Reviews
‘La Cocina’: Berlin Review
Alonso Ruizpalacios tries to turn up the heat in this version of Arnold Wesker’s stage play starring Rooney Mara
-
Features
Films of the year 2023: Lee Marshall
Lee Marshall joined Screen in 1996 as an Italy-based film critic. He also writes on travel, design and culture for a range of UK, US and Italian publications.
-
Reviews
‘The Movie Emperor’: Busan
Director Ning Hao and star Andy Lau re-team for this savvy film industry satire
-
Reviews
‘Bride Kidnapping’: Busan Review
Jiseok co-winner at Busan is a dour but powerful drama from Kyrgyzstan.
-
Reviews
‘Paradise’: Busan Review
Effective Sri Lanka-set tourism drama shared the top prize in Busan’s Jiseok competition
-
Reviews
‘House Of The Seasons’: Busan Review
A family drama set around a tofu factory is an engaging addition to the ‘Korean Cinema Today’ strand at Busan
-
Reviews
‘After The Fever’: Busan Review
A young Japanese couple approach love from very different angles in Akira Yamamoto’s vacant drama
-
Reviews
‘That Summer’s Lie’: Busan Review
The events of one South Korean summer may not be all they appear in this twisting breakout Busan-set debut
-
Reviews
‘Because I Hate Korea’: Busan Review
Busan’s opening film follows a disaffected South Korean woman who flees Seoul for New Zealand
-
Reviews
‘An Endless Sunday’: Venice Review
Long hot summer Sundays in Rome form the basis of this Italian debut, produced by Wim Wenders
-
Reviews
‘Lubo’: Venice Review
Frank Rogowski stars in a meandering drama about Switzerland’s persecution of Yenish children
-
Reviews
‘Io Capitano’: Venice Review
Matteo Garrone’s Competition entry follows two Sengalese teenagers hoping to achieve their dreams in Europe
-
Reviews
‘Enea’: Venice Review
A young man struggles in Rome’s upper classes in Pietro Castellitto’s Competition entry
-
Reviews
‘Behind The Mountains’: Venice Review
A Tunisian man becomes convinced he can fly in Mohamed Ben Attia’s intriguing third feature
-
Reviews
‘Evil Does Not Exist’: Venice Review
Ryusuke Hamaguchi follows up ’Drive My Car’ with a charming rural fable
-
Reviews
‘Menus-Plaisirs – Les Troisgros’: Venice Review
Frederick Wiseman takes time to savour his subject in this absorbing four-hour documentary about a French restaurant
-
Reviews
‘Adagio’: Venice Review
Pierfrancesco Favino and Toni Servillo play two ageing mob-men in the final part of Stefano Sollima’s Rome-set crime trilogy
-
Reviews
‘Finally Dawn’: Venice Review
Saverio Costanzo’s Cinecitta-set delight harks to the heyday of ‘Hollywood on the Tiber’ and co-stars Lily James and Willem Dafoe
-
Reviews
‘Dogman’: Venice Review
Luc Besson’s tale of a troubled man who finds salvation through his love of dogs has more bark than bite.
-
Reviews
‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed