All articles by Lee Marshall – Page 7
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Reviews
‘Bloom Up – A Swinger Couple Story’: Hot Docs Review
A happily married polyamorous Italian couple invite the viewer into their romantic life
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Reviews
‘I’m Wanita’: Hot Docs Review
Can a middle-aged Australian country singer finally get her big break?
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Reviews
‘Courage’: Berlin Review
Caught in the crossfire, Aliaksei Paluyan documents what happened next in Belarus
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Reviews
‘Social Hygiene’: Berlin Review
Denis Cote delivers - or declaims - an oddity for Berlin’s Encounters
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Reviews
’Natural Light’: Berlin Review
Denes Nagy’s debut feature competes at the Berlinale to haunting effect
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Reviews
‘Drift Away’: Berlin Review
Jeremie Reinier plays a Normandy policeman who buckles under the pressure of a mid-film mistake
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Features
Sophia Loren on her late-career comeback in ‘The Life Ahead’
Rarely seen on screen in recent decades, Sophia Loren could be in line for her first Oscar and Bafta nominations since the 1960s.
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Reviews
‘One For The Road’: Sundance Review
Wong Kar-wai produces Baz Poonpiriya’s follow-up to ‘Bad Genius’
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Reviews
‘Yellow Cat’: Busan Review
A ‘Bonnie And Clyde’-style romance between a socially awkward fugitive and the scatty hooker he befriends
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Reviews
‘Pieces Of A Woman’: Venice Review
Vanessa Kirby’s star continues to rise with an intense performance of a bereaved young mother in Kornel Mundroczo’s English-language debut
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Reviews
‘The Macaluso Sisters’: Venice Review
Emma Dante returns with an ode to the sisterhood set in urban Palermo
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Reviews
‘City Hall’: Venice Review
Master documentarian Fredrick Wiseman takes the pulse of a nation as he surveys the city of Boston
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Reviews
‘Notturno’: Venice Review
Gianfranco Rosi’s documentary captures those who live on the tense borderlands of the Middle East
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Reviews
‘Sun Children’: Venice Review
A Dickensian tale with a Disney feel set in Iran’s bustling metropolis
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Reviews
‘Mandibles’: Venice Review
Winning slacker comedy set on the Cote D’Azur in which a fly strays very far from the wall
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Reviews
‘Quo Vadis, Aida?’: Venice Review
Jasmila Zbanic directly addresses Srebrenica in this taut, compelling film