A24’s You Can See Everything expanded in its second session at the North American box office and is nearing $50m, while DC Studios’ Clayface opened top of the charts on an estimated $24m for the combined Paramount-Warner Bros.
This was a respectable launch in 3,458 sites for the R-rated body horror Clayface, which earned an A- Cinemascore and is on solid footing given the reported $44m production cost. Tom Rhys Harries stars in the Batman spin-off about an up-and-coming film star who embarks on a revenge spree after a medical procedure goes wrong. James Watkins directed.
Meanwhile the enduring fascination with You Can See Everything, Nathan Fielder and Lance Oppenheim’s Oscar-tipped meta investigation into truth and fiction featuring Elizabeth Holmes and others, showed no signs of letting up. It expanded into 2,655 sites as box office increased by 25% and the film added $19.5m for a $45.1m running total.
The R-rated three-hour feature already ranks as one of the highest-grossing documentaries of all time. It earned $6.1m on Friday, $6.9m on Saturday, and $6.4m on Sunday. A24 executives will feel vindicated after last weekend’s platform release led to nationwide sell-outs and increased demand from audiences.
Fathom Entertainment opened Laika’s acclaimed Wildwood at number three and reported $11.8m from 2,779 sites. FilmNation handles international sales. Paramount’s Street Fighter fell 72% in its second weekend to rank fourth on $8.6m from 3,575 for $46.9m.
Black Bear opened its Sundance pick-up Wicker starring Olivia Colman and Alexander Skarsgard in fifth place on $5.8m. Alex Huston Fischer and Eleanor Wilson directed the romantic tale set in a village centuries ago where an ostracised fisherwoman asks a basketweaver to make her a husband, with surprising results. Wicker drew a 79% female, 45% white and 42% 25-43 demographic.
In its second weekend Netflix expanded La Bola Negra into nine cinemas and the Spanish Oscar submission and awards season heavyweight earned $245,000 for an early $650,000 running total. The contender will remain in its exclusive theatrical run until it drops on Netflix on December 2.
Since boarding the documentary NAZA as US distributor last week, Neon reported that the film has crossed $1m after four weekends in release. Yuval Abraham and Rachel Szor’s interview-based account of Israeli intelligence officers and soldiers discussing the killing of Palestinians added $74,500 from 73 screens and stands at $1.1m.
Overall box office for the weekend added $94.9m per Rentrak, marking a 21.8% climb against the comparable session in 2025. Year-to-date earnings have reached $8.4bn and track 20.2% ahead of 2025 by the same stage.
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