
Nikki Baughan
Based in London
Contact info
- Reviews
‘Black Phone 2’ review: Ethan Hawke returns in Scott Derrickson’s rote horror sequel
Mason Thames and Madeleine McGraw are also back to fight The Grabber in Universal chiller
- Reviews
‘The Son And The Sea’ review: A journey of self-discovery leads to Scottish coast in impressive debut
A troubled young man leaves London in search of fresh ideas in the first feature from Stroma Cairns
- Reviews
‘Love + War’ review: Portrait of US war photographer Lynsey Addario from ‘Free Solo’ filmmakers
Chai Vasarhelyi and Jimmy Chin’s insightful documentary focuses on the balance between ambition and responsibility
- Reviews
‘At The Place Of Ghosts’ review: Indigenous brothers take a dark path in moody Canadian chiller
Bretten Hannam’s psychological thriller is set within Nova Scotia’s Mi’kmaw community
- Reviews
‘Black Is Beautiful: The Kwame Brathwaite Story’ review: Colourful portrait of US creative activist
Yemi Bamiro’s London Competition title about photographer Kwame Brathwaite features a wealth of archive footage
- Reviews
‘Hen’ review: Greek life seen from the perspective of a plucky chicken makes for a compelling drama
Hungarian director György Pálfi’s emotive film takes the point of view of a hen escaping an industrial farm to reflect on humanity
- Reviews
‘Good Boy’ review: Dog’s eye-view haunted house horror has plenty of bite
US filmmaker Ben Leonberg’s impressive debut is told from the point of view of its canine protagonist
- Reviews
‘The Fence’ review: Isaach de Bankolé roots Claire Denis’ atmospheric West Africa thriller
Matt Dillon and Mia McKenna-Bruce also star in this uneven adaptation of the 1979 play ‘Black Battles With Dogs’
- Reviews
‘Franz’ review: Agnieszka Holland’s creative portrait of Czech writer Franz Kafka
Holland takes an unconventional approach to the biopic, which hits familiar narrative beats
- Reviews
‘A Big Bold Beautiful Journey’ review: Colin Farrell and Margot Robbie head schmaltzy romcom
Two troubled souls take a road trip to the past in director Kogonada’s follow-up to ’Columbus’ and ‘After Yang’
- Reviews
‘To The Victory!’ review: Toronto’s Platform winner blends fact and fiction in a near-future Ukraine
Writer/director Valentyn Vasyanovych takes the central role of a filmmaker desperate to stay in his homeland
- Reviews
‘Blue Heron’ review: Contemplative Canadian debut sees a filmmaker confront her difficult past
Sophy Romvari’s accomplished first feature dramatises her own childhood experiences
- Reviews
‘Spinal Tap II: The End Continues’ review: Mockumentary sequel proves gentle swansong for fictional rockers
Director Rob Reiner reunites with stars Christopher Guest, Michael McKean and Harry Shearer for follow-up to 1984 classic
- Reviews
‘The Long Walk’ review: Powerful Stephen King adaptation journeys through bleak dystopian America
Francis Lawrence directs uncompromising survival horror starring David Jonsson, Cooper Hoffman and Charlie Plummer
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‘I Swear’ review: Robert Aramayo is exceptional as real-life Tourette’s campaigner John Davidson
Kirk Jones directs this stirring biopic of Davidson, previously the subject of documentaries including ‘John’s Not Mad’
- Reviews
‘Good Boy’ review: Stephen Graham and Andrea Riseborough anchor off-kilter morality tale
The pair play a married couple determined to rehabilitate a wayward boy in Jan Komasa’s intriguing Toronto premiere
- Reviews
‘Steve’ review: Cillian Murphy impresses at the heart of Netflix’s Max Porter adaptation
The actor reteams with ‘Small Things Like These’ director Tim Mielants for propulsive Toronto premiere
- Reviews
‘My Father And Qaddafi’ review: Libyan filmmaker Jihan explores the 1993 abduction of her politician father
Moving documentary looks at what happened to Mansur Rashid Kikhia, an opponent of Colonel Qaddafi’s brutal regime
- Reviews
‘Silent Rebellion’ review: A young woman learns to find her voice in 1940s rural Switzerland
Lila Gueneau stars in Marie-Elsa Sgualdo’s accomplished debut which plays out in the aftermath of rape
- Reviews
‘Dead Man’s Wire’ review: Bill Skarsgard impresses in Gus Van Sant’s real-life crime caper
The director’s Venice title dramatises the 1977 kidnapping of a mortgage broker by disgruntled landowner Tony Kiritsis