All Venice articles – Page 4
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Reviews‘Oasis: Don’t Look Back In Anger’ review: Sentimental doc about UK band’s reunion plays best when it focuses on the music
Directors Dylan Southern and Will Lovelace chart Oasis’s 2025 tour in Venice out of competition title
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Reviews‘It Will Happen Tonight’ review: Nanni Moretti’s latest is unashamedly melodramatic Italian romance
Louis Garrel and Jasmine Trinca star in the director’s sprawling drama which premieres in Venice competition
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Reviews‘Primetime’ review: Robert Pattinson is ‘To Catch A Predator’ host Chris Hansen in visually striking, dramatically contrived thriller
Merritt Wever is also memorable in Lance Oppenheim’s feature debut, which bows in Venice competition
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Reviews’Diane In the Loop’ review: Quirky Belgian drama confronts the legacy of sexual violence
Ann Sirot and Raphaël Balboni’s funny, compassionate third feature is produced by the Dardenne brothers
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NewsWhy Oasis film ‘Don’t Look Back In Anger’ had to be a doc: “No one could play Liam Gallagher”
The Gallagher brothers skipped the Venice press conference for the film.
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Reviews‘Eklipse’ review: Tender 1999-set debut explores an Austrian childhood in the shadow of AIDS
Secrecy and stigma threaten a childhood friendship in Manuel Wetscher’s Venice Horizons premiere
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Reviews‘Our Share Of Sand’ review: A move from the UK to rural India proves a painful rite-of-passage in quietly powerful debut
Shalini Adnani’s level-headed Venice Critics Week titles features a strong performance from newcomer Maya Mehta
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FeaturesShinya Tsukamoto talks Venice competition war drama ‘Mr. Nelson, Did You Kill People?’
The Japanese filmmaker behind ‘Fires On The Plain’ and ‘Killing’ on the “definitive work” in his series of features about war.
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Reviews‘Jupiter’ review: Denis Menochet is imposing in blunt, airless French nuclear war drama
Alexandre Smia’s feature debut invites comparisons to Kathryn Bigelow’s ‘House Of Dynamite’
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Reviews‘Furies’ review: George Clooney exec-produces this propulsive female-led Beirut bank-heist caper
Two sisters take on Lebanon’s broken economy in Rami Kodeih’s messy but hugely enjoyable Venice Spotlight title
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NewsGeorge Clooney, Maggie Gyllenhaal warn of risks to film industry from AI
Stars were among a raft of creatives and execs speaking at a Venice Film Festival symposium devoted to the technology.
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FeaturesStéphane Brizé on his Venice competition title ‘A Good Little Soldier’: “It’s a feminist film”
French filmmaker Stéphane Brizé explores corporate conformity and the human cost of capitalism in his TIFF Special Presentation A Good Little Soldier.
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Reviews‘Queer Edward II’ review: Intimate doc links the making of Derek Jarman’s 1991 feature Edward II and wider LGBTQ+ activism
Theo Rollason’s entertaining Venice out of competition title goes behind the scenes of Jarman’s feature
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News‘Queer Edward II’ team on Derek Jarman’s inclusive sets and why “we can’t protest enough”
“Derek Jarman could talk to somebody sweeping the floor about what the next shot was,” said Sandy Powell.
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Reviews‘House Of The Wind’ review: A tender Cameroonian study of solitude and unexpected kinship
Auguste Bernard Kouemo Yanghu’s debut finds emotional force in an ageing mother’s search for connection
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Features‘Our Share Of Sand’’s UK filmmakers talk shooting in India, with child actors, in three languages
The Venice Critics’ Week premiere the feature debut of Shalini Adnani and is produced by Sara Bonakdar.
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Reviews‘My Undesirable Friends: Part II - Exile’ review: Julia Loktev’s portrait of Russian journalists in exile deepens in its second chapter
The follow-up to 2024’s ’Last Air In Moscow’ proves every bit as compelling, if more intimate
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NewsWerner Herzog on cutting short rehearsals for Venice title ‘Bucking Fastard’
“The first time in my life that there was enough funds for existential rehearsals.”
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NewsVenice day 3: Which awards contenders will emerge from the festival? - The Screen Podcast
Host Wendy Mitchell is joined by Screen’s box office and awards editor Charles Gant.
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Reviews‘Wild Horse Nine’ review: John Malkovich and Sam Rockwell command Martin McDonagh’s potent 1970s character study
The director’s Easter Island-set fifth feature premieres in Venice competition and looks set for awards attention