All articles by Wendy Ide, Senior international critic – Page 13
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Reviews‘Housekeeping For Beginners’: Venice Review
Goran Stolevski delivers another triumph in this domestic story of marginalised people
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Reviews‘Green Border’: Venice Review
Agnieszka Holland paints a damning portrait of the European refugee crisis in this Venice Competition entry
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Reviews‘Making Of’: Venice Review
Cedric Kahn’s droll comedy goes behind the scenes during a fraught film shoot
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Reviews‘Aggro Dr1ft’: Venice Review
Harmony Korine aims for post-cinema in a film shot using thermal imagery and without a screenplay
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Reviews‘The Rescue’: Venice Review
The kidnap of a businessman reveals the fragility of Argentina’s new-found democracy in this 1980s-set drama
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Reviews‘Hoard’: Venice Review
Debut British filmmaker Luna Carmoon draws from her own life for this unconventional mother-daughter drama
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Reviews‘The Promised Land’: Venice Review
‘Invigoratingly savage Nordic western’ stars Mads Mikkelsen as a retired army captain attempting to tame Jutland in 1755
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Reviews‘All Of Us Strangers’: Telluride Review
Andrew Scott and Paul Mescal anchor Andrew Haigh’s heartbreakingly pure 1980s drama
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Reviews‘Upon Open Sky’: Venice Review
A teenage trio go on the hunt for revenge in this lacklustre road movie penned by Guillermo Arriaga
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Reviews‘Hippo’: Fantasia Review
Mark H. Rapaport’s feature debut is a black-and-white checklist of transgressions set in 1990s America
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Reviews‘Fremont’: Karlovy Vary Review
An Afghan woman living in California dreams of new adventures in Babak Jalali’s fourth feature
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Reviews‘The Girls Are Alright’: Karlovy Vary Review
Five women spend a week at a Spanish creative retreat in this delicate portrait of female friendship
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Reviews‘Red Rooms’: Karlovy Vary Review
A young woman becomes obsessed with a serial killer in this intense Canadian chiller
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Reviews‘Slow’: Karlovy Vary Review
A new couple navigate their sexual differences in this accomplished Sundance prize-winning drama
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Reviews‘Restore Point’: Karlovy Vary Review
Ambitious Czech thriller is set in a near future where dead bodies can be restored to life
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Reviews‘Empty Nets’: Karlovy Vary Review
German/Iranian director Behrooz Karamizade makes a powerful debut with his story of a young Iranian diver
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Reviews‘In Camera’: Karlovy Vary Review
Naqqash Khalid’s debut is a savage satire of the casting business
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Reviews‘Sweet Sue’: Munich Review
Leo Leigh’s spiky feaure debut stars Maggie O’Neill as an older woman looking for love
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Reviews‘Four Souls Of Coyote’: Annecy Review
Native American teenagers confront an oil pipeline project in this Annecy Jury Award-winning animation from Hungary
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Reviews‘The Tunnel To Summer, The Exit Of Goodbyes’: Annecy Review
An animation for the ages from Japan’s Tomohisa Taguchi wins the Paul Grimault prize at Annecy