All articles by Wendy Ide, Senior international critic – Page 2
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Reviews
‘Romeria’ review: Carla Simon’s third, semi-autobiographical feature is ‘pensive and rather lovely’
The Spanish director continues to mine her own history for this affecting tale of a filmmaker in the making
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Reviews
‘Girl On Edge’ review: Friendship turns to rivalry in Chinese figure skating drama
Director Zhou Jinghao’s debut bows in Directors Fortnight
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Reviews
‘It Was Just An Accident’ review: Jafar Panahi confronts the Iranian injustice system head-on
Cannes Competition title sees a traffic accident spark a series of devastating events
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Reviews
‘The Love That Remains’ review: Follow-up to ‘Godland’ is a tender breakup drama
Iceland’s Hynur Palmason returns with film about the end of a marraige.
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Reviews
‘The Secret Agent’ review: Kleber Mendonça Filho’s 1970s Brazilian thriller is ‘riot of a movie’
The director’s anarchic follow-up to ‘Bacarau’ stars Wagner Moura and Udo Kier
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Reviews
‘My Father’s Shadow’ review: Sope Dirisu stars in this electric debut set in 1990s Nigeria
The semi-autobiographical first feature from Akinola Davies Jr premieres in Un Certain Regard
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Reviews
‘No One Will Know’ review: A Parisian bar plays host to a looping crime thriller
Vincent Maël Cardona’s follow-up to ’Magnetic Beasts’ plays as a Cannes Midnight screening
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Reviews
‘Renoir’ review: A grieving 11-year-old retreats into fantasy in 1980s Tokyo
Chie Hayakawa’s elegant second feature plays Cannes Competition
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Reviews
‘Mirrors No. 3’ review: Rich study of trauma and grief unfolds in the German countryside
Christian Petzold’s fourth collaboration with actor Paula Beer is small but mighty
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Reviews
‘Urchin’ review: Harris Dickinson directs an elevated study of addiction
British actor-turned-filmmaker bows in Un Certain Regard
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Reviews
‘The Little Sister’ review: Hafsia Herzi explores identity and faith in coming-of-age story
The film adaptation of the award-winning novel The Last One premieres in Cannes’s Main Competition
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Reviews
‘A Pale View Of Hills’ review: Kazuo Ishiguro’s debut novel gets tangled between Japan and the UK
Kei Ishikawa directs a dual timeline between 1950s Japan and 1980s England
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Reviews
‘Sound Of Falling’ review: Trauma seeps through a century of women’s lives in rural Germany
Mascha Schilinski’s Cannes Competition title is ‘a work of thrilling ambition’
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Reviews
‘Leave One Day’ review: Cannes opens with crowd-pleasing musical of ‘exceptionally Gallic’ flavour
Amelie Bonnin’s culinary-infused film marks the first debut ever to launch the festival
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Reviews
‘Always’ review: CPH: DOX winner is a poetic meditation on growing up in rural China
Denming Chen’s striking second feature takes the top prize at Danish doc fest
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Reviews
‘The Golden Spurtle’ review: Nourishing doc on a Scottish porridge-making championship
Constantine Costi’s delightful portrait of a highland tradition bows in CPH:DOX
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Reviews
‘The Helsinki Effect’ review: Timely doc revisits pivotal East/West summit
CPH:DOX title is a lively exploration of the 1975 Helsinki conference that aimed to end the Cold War
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Reviews
‘Lowland Kids’ review: America’s first climate refugees prepare to leave their Louisiana home
Darren Aronofsky produces this ’extremely accomplished’ CPH:DOX debut
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Reviews
‘Sanatorium’ review: Striking portrait of Odesa’s Soviet-era health facility
Documentary from Irish director Gar O’Rourke debuts at CPH:DOX
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Reviews
‘Forever We Are Young’ review: Illuminating portrait of the superfans behind K-Pop phenomenon BTS
Grace Lee and Patty Ahn’s documentary focuses on the band’s dedicated ARMY fanbase