‘American Doctor’ director Poh Si Teng explains why she spent her life savings on making the Gaza doc
“This is all the money I saved for you,” the director told her daughter at CPH: Dox this week.
Filmart 2026: The buzz titles from Taiwan
A fantasy horror, crime thriller and gangster comedy are among the Taiwanese films showcased at Filmart.
In profile: the projects in HAF’s genre focus
The popularity of horror and action thrillers has inspired the relaunch of a genre section at HAF. Screen profiles the selection
Filmart 2026: 12 buzz titles from Japan
Anime, romance, drama and the latest from Oscar winner Ryusuke Hamaguchi are being showcased by Japanese sellers at Filmart.
Looking back on 50 years of Hong Kong International Film Festival
As HKIFF turns 50, Screen looks back on five decades of the pioneering festival
Filmart 2026: The buzz titles from Hong Kong and China
Fantasy animation, an LGBTQ+ thriller and a pole-dancing drama are among the films from Hong Kong and China being introduced to buyers at Filmart.
Hong Kong looks to rising talent and medium-sized films to revive box office
Hong Kong’s box office continues to struggle, despite boasting two blockbusters at the start of the year. Can a new generation of filmmakers and a focus on medium-sized productions help revive fortunes in the territory?
Eight talking points from the Oscars: Classy, competitive (until it wasn’t) and Sean Penn
Mike De Luca and Pam Abdy were thanked multiple times across the night, while David Zaslav wasn’t mentioned once
How Hong Kong Filmart is building bridges and embracing AI as it turns 30
As Filmart turns 30, it is placing an even greater emphasis on forging connections across borders and negotiating the rapid rise of artificial intelligence.
Oscars stand-out moments: historic winners, emotional tributes, Ted Sarandos and Timothee Chalamet jokes
Autumn Durald Arkapaw becomes the first woman to win best cinematography at the Oscars.
What’s in the running for Cannes 2026?
What will not be ready is as informative as what will be.
“Come for those flashy projects and stay for the slow burns,” says CPH: DOX industry head Mara Gourd-Mercardo
Some 200 financiers and industry representatives confirmed to attend.
Why the trajectory of CPH:DOX opener ‘Mariinka’ changed with Russia’s invasion of Ukraine
Director Pieter-Jan De Pue explains the invasion altered the fates of the four brothers the film was following.
