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‘Resident Evil’ review: Zach Cregger follows ‘Weapons’ with high-octane, back-to-basics reboot of hit video game franchise
Austin Abrams impresses in Sony’s darkly funny horror actioner which rolls out globally from September 16
‘Bad Lieutenant: Tokyo’ review: Takashi Miike’s muddled addition to the bad cop franchise lacks his signature flair
The film follows Abel Ferrara’s ’Bad Lieutenant’ and Werner Herzog’s ’Bad Lieutenant: Port Of Call New Orleans’
‘Alpha Gang’ review: Chris Pine, Léa Seydoux and Cate Blanchett are stylish alien invaders in diverting, overstretched sci-fi
Dave Bautista, Lily-Rose Depp and Riley Keough also star in the Zellner brothers’ follow-up to ‘Sasquatch Sunset’
‘The Life And Deaths Of Wilson Shedd’ review: Amanda Seyfried and Scoot McNairy lead sober prison drama
Tim Blake Nelson’s latest feature premieres as a Toronto Gala Presentation
‘The Debut’ review: A superb Julianne Moore takes centre stage in Jesse Eisenberg’s wry community theatre comedy
Eisenberg’s follow-up to Oscar-winner ‘A Real Pain’ also stars an impressive Paul Giamatti
‘Misty Green’ review: A scorching performance from Rosalind Eleazar powers Chris Rock’s thorny Hollywood satire
Rock’s Toronto Gala Prentation also stars Adam Driver, Daniel Kaluuya and Anna Kendrick
‘I Play Rocky’ review: Peter Farrelly turns story behind Sylvester Stallone’s breakout into a sentimental, uninspiring pastiche
Anthony Ippolito plays Stallone alongside a cast that also includes Tracy Letts, Jay Duplass and AnnaSophia Robb
‘Babies’ review: Seth Rogen and Anna Kendrick face a big decision in likable LA crowdpleaser
Issa Rae and David Strathairn also star in Lauren Miller Rogen’s Toronto Gala Presentation premiere
‘Your Mother Your Mother Your Mother’ review: Mahershala Ali is outstanding as a Muslim assassin in Bassam Tariq’s audacious follow-up to ‘Mogul Mowgli’
The film premieres as a Toronto Special Presentation before heading to London
‘Being Heumann’ review: Ruth Madeley impresses as US disability advocate Judy Heumann in broad period drama
Sian Heder follows CODA with cutesy dramatisation of Heumann’s 1977 San Francisco sit-in which opens Toronto
‘Union Town’ review: Fifty years after ‘Harlan County, USA’, Barbara Kopple returns to the frontline of America’s labour struggle
The veteran documentarian’s absorbing portrait of the gig economy is the third in her ‘labour rights’ trilogy
‘Musk’ review: Alex Gibney presents a gripping if glossy study of controversial billionaire Elon Musk
Gibney’s exhaustive documentary plays Venice ahead of berths in Toronto and London
‘Boatbuilders’ review: Luke Lorentzen’s Maine-set boatyard documentary is a finely crafted delight
The ‘Midnight Family’ director slows the pace for this beautifully observed portrait of craftsmanship and community
‘Primetime’ review: Robert Pattinson is ‘To Catch A Predator’ host Chris Hansen in visually striking, dramatically contrived thriller
Merritt Wever is also memorable in Lance Oppenheim’s feature debut, which bows in Venice competition
‘Mr. Nelson, Did You Kill People?’ review: Shinya Tsukamoto’s muddled portrait of Vietnam veteran activist Allen Nelson suffers an identity crisis
Rodney Hicks and Geoffrey Rush lead the Japanese auteur’s Venice Competition drama
‘My Undesirable Friends: Part II - Exile’ review: Julia Loktev’s portrait of Russian journalists in exile deepens in its second chapter
The follow-up to 2024’s ’Last Air In Moscow’ proves every bit as compelling, if more intimate
‘Too Much Sugar’ review: Robert Greene delivers a clear-eyed portrait of family dysfunction and filmmaking as therapy
The Procession director’s latest is a moving exploration of fatherhood and masculinity in small-town Missouri
‘The Dog Stars’ review: Jacob Elordi and Margaret Qualley navigate the apocalypse in muted, tender Ridley Scott drama
Josh Brolin and Guy Pearce also star in the director’s near-future set adaptation of the novel by Peter Heller
‘Mutiny’ review: Jason Statham finds himself all at sea in uninspired cargo ship thriller
Jean-Francois Richet’s muscular feature fails to make the most of its action star
‘Pretty Babies’ review: Hollywood dreams turn into a nightmare in gritty, uneasy US debut
Tyler-Marie Evans’ Edinburgh competition premiere follows starry-eyed two high-schoolers attempting to make it to LA
