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NewsArtificial Eye picks up Holy Motors, Therese Desqueyroux
UK distributor Artificial Eye has completed a further four acquisitions in Cannes.
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NewsFrench director Claude Miller dies after long illness
Career spanned 50 years and some 20 pictures including Garde à Vue, Deadly Circuit (Mortelle Randonnée), L’Effrontée and The Little Thief (La Petite Voleuse).
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NewsClaude Miller’s Thérèse Desqueroux to close Cannes
Audrey Tautou stars in the title role of the French master’s final film, which will screen on May 27 and is based on François Mauriac’s 1920s novel of the same name.
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Lives through a lens
The lowdown on the feature documentaries screening in all the festival sections. Profiles by Louise Tutt.
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FeaturesCannes 2012: In Competition; Out Of Competition
From the anticipated films by seasoned auteurs to the buzz titles from first-timers, Screen profiles the films headed to all the sections of the Cannes Film Festival in 2012
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NewsToronto adds dozens more world premieres including Song for Marion as closing night gala
TIFF unveils 62 titles in Contemporary World Cinema, including world premieres from Lenny Abrahamson, Edward Burns, Sion Sono.
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Features2012 preview: world cinema
Big name directors and some ambitious local productions are in full evidence at theatres and on the film festival circuit this year.
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FeaturesBerlin buzz: market titles
As Berlin’s European Film Market kicks off, Screen looks at the hottest market debuts — at all stages of production — being offered by US, UK and European sellers
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‘Avatar: Fire And Ash’ hits $760m at global box office after strong hold; Italy’s ‘Buen Camino’ delivers Christmas smash
UK-Ireland box office preview: ‘The Housemaid’, ‘The SpongeBob Movie: Search For SquarePants’ lead festive releases
‘Avatar: Fire And Ash’ heats up UK-Ireland box office with £9m opening
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Nia DaCosta on her gender-flipped adaptation of an Ibsen classic: “Making Hedda mixed-race added layers to her torture”
Ethan Hawke on playing Lorenz Hart in ‘Blue Moon’ and how Philip Seymour Hoffman changed the trajectory of his career
Why Andrea Riseborough was drawn to the characters in ‘Dragonfly’: “They represent a lot of people in this country”
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