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Latest – Page 6
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Reviews‘Mickey 17’ review: Bong Joon Ho unites with Robert Pattinson for quirky near-future drama
Long-awaited follow-up to Parasite is a ’proudly idiosycratic’ affair
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Reviews‘Dreams In Nightmares’: Queer black femmes shine in confident reframing of the road trip movie
Shatara Michelle Ford’s feature premiered at Black Star and screens at the Berlinale
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Reviews‘The Monkey’: Review
A childhood toy wreaks bloody havoc in Osgood Perkins’ uneven ’Longlegs’ follow-up
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Reviews‘Captain America: Brave New World’: Review
Anthony Mackie inherits the shield, but Marvel is struggling to hold it
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Reviews‘Love Hurts’: Review
Ke Huy Quan is a mild-mannered former hitman in this by-the-numbers actioner from ‘John Wick’ producers
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Reviews‘Third Act’: Sundance Review
Portrait of Asian American filmmaker Robert M Nakamura by his son, Tadashi
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Reviews‘Atropia’: Sundance Review
Sundance US dramatic prize-winner is a grab-bag of gags set in an army training village
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Reviews‘Companion’: Review
Sophie Thatcher and Jack Quaid find a romantic getaway turning sour in this smart horror
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Reviews‘Coexistence, My Ass!’: Sundance Review
Doc finds humour and heartbreak in Israeli comedian Noam Shuster Eliassi’s attempts to bridge the divide
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Reviews‘The Alabama Solution’: Sundance Review
Smuggled smartphones provide a shocking insider’s perspective on Alabama’s prison system
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Reviews‘Last Days’: Sundance Review
Murdered Sentinel Island missionary John Allen Chau is the subject of Justin Lin’s disappointing drama
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Reviews‘Lurker’: Sundance Review
Archie Madekwe’s ascendant pop star becomes an obsession for a troubled young fan
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Reviews‘Predators’: Sundance Review
TV’s brand of vigilante justice comes under the spotlight of hindsight
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Reviews‘Sorry, Baby’: Sundance Review
Barry Jenkins produces this insightful drama debut from Eva Victor
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Reviews‘Opus’: Sundance Review
Ayo Edebiri and John Malkovich face the music in this predictable horror
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Reviews‘The Wedding Banquet’: Sundance Review
Lily Gladstone and Bowen Yang head this sensitive update of Ang Lee’s Oscar-nominated comedy
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Reviews‘Life After’: Sundance Review
Sensitive exploration of assisted dying within the disabled community
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Reviews‘Peter Hujar’s Day’: Sundance Review
Ben Whishaw and Rebecca Hall play out a day in 1974 Manhattan for director Ira Sachs