All Orizzonti articles – Page 3
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Reviews
‘Land Of Dreams’: Venice Review
Matt Dillon, Isabella Rossellini and Sheila Vand star in Shirin Neshat’s English-language debut, co-directed with Shoja Azari
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Reviews
‘Promises’: Venice Review
Smart political drama with fine performances from Isabelle Huppert and Reda Kateb opens Venice Horizons 2021
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News
Films Boutique boards Venice Horizons docu-drama ‘107 Mothers’ (exclusive)
Peter Kerekes documentary-fiction hybrid is set in an Odessa prison.
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Reviews
‘Nowhere Special’: Venice Review
James Norton tries to find a home for his young boy in Uberto Pasolini’s tender tearjerker
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Reviews
‘The Predators’: Venice Review
Two disparate families collide in Pietro Castellitto’s feature debut, a dark comedy set in Rome
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Reviews
‘Listen’: Venice Review
A loving London-based Portuguese couple battle to regain custody of their children
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Features
Kaouther Ben Hania on the real-life inspiration for ‘The Man Who Sold His Skin’
Drama about refugee who becomes a human work of art premieres in Venice’s Horizons section.
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Features
‘Listen’ director Ana Rocha de Sousa on making a film about forced adoptions in London
”I am interested in subjects relevant to people’s lives,” says the Portuguese filmmaker.
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Reviews
‘The Man Who Sold His Skin’: Venice Review
An art-world satire featuring a tattooed living canvas makes for a wild ride
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Reviews
‘Mainstream’: Venice Review
Gia Coppola returns after Palo Alto with an abrasive ode to You Tuber culture starring Andrew Garfield
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Reviews
‘The Furnace’: Venice Review
An Afghan cameleer and an Australian thief join forces in this thoughtful Western
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Reviews
‘Gaza Mon Amour’: Venice Review
The Nasser brothers turn their lens on a late-life romance in Gaza featuring Hiam Abbass and Salim Daw
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Reviews
‘Apples’: Venice Review
An amnesia pandemic sweeps across Greece in this unforgettable first feature
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News
‘Apples’ director reveals details of next project in Venice (exclusive)
Christos Nikou’s feature debut opened Venice Horizons today.
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Reviews
‘Atlantis’: Venice Review
Valentyn Vasyanovych’s film, set in Eastern Ukraine of the near future, is the winner of the grand prize at Venice’s Orrizonti
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Reviews
‘Blanco En Blanco’: Venice Review
A photographer develops a dangerous obsession in early 20th Century South America
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Reviews
‘Madre’: Venice Review
Another intriguing - and satisfying - drama from Spain’s Rodrigo Sorogoyen
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Reviews
‘Hava, Maryam, Aleysha’: Venice Review
With her debut feature, Sahraa Karimi explores the lives of three Afghan women
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Reviews
‘Moffie’: Venice Review
A young South African man struggles to hide his homosexuality in 1980s military service