All Q&A articles – Page 40
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FeaturesDaniel Young, Paul Bowles: The Cage Door is Always Open
Swiss-US director talks to Screen about his biopic of acclaimed US writer Paul Bowles.
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FeaturesEmmanuelle Antille, Avanti
Swiss installation artist talks about her debut theatrical feature which world premiered in competition at Zurich.
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FeaturesAndrew Neel, King Kelly
The New York-based director makes his fictional feature debut with King Kelly, a racy satire about young people’s obsession with the Internet.
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FeaturesGabriela Pichler, Eat Sleep Die
Swedish director Gabriela Pichler makes her debut with Eat Sleep Die, which was awarded in Venice.
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FeaturesAndrew Macdonald
DNA Films co-founder Andrew Macdonald has just completed one of his most ambitious films yet, Dredd 3D.
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FeaturesPeter Webber, Emperor
Webber talks to Screen about his new historical drama which premieres in Toronto on Friday.
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FeaturesTobias Lindholm, A Hijacking
The director follows up his acclaimed prison drama R with the powerful modern pirates story A Hijacking.
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FeaturesDavid Ayer & Nigel Sinclair, End Of Watch
Screen talks to End Of Watch director and producer ahead of its world premiere in Toronto.
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FeaturesEran Riklis, Zaytoun
The director talks about working with Stephen Dorff, going beyond the headlines, and discovering child actors.
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FeaturesAndrew Adamson, Mr Pip
The Shrek and Narnia director changes direction with his new literary adaptation.
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FeaturesBaltasar Kormakur, The Deep
Icelandic director talks to Screen about his latest project The Deep, which receives its world premiere in Toronto.
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FeaturesAnand Gandhi, Ship of Theseus
Screen talks to Mumbai-based filmmaker Anand Gandhi whose debut feature, Ship Of Theseus, will receive its world premiere in Toronto.
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FeaturesEmilie Georges, Memento
Memento Films International has built an eclectic sales slate while ramping up its own productions such as horror remake We Are What We Are.
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FeaturesTerrence Malick’s producers: ‘He wakes up every day with thousands more ideas.’
Sarah Green and Nicolas Gonda discuss Terrence Malick’s “endless reservoir of ideas”, the production process on To The Wonder, their ongoing collaboration with FilmNation and future projects.
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FeaturesPaul Thomas Anderson on making The Master: 'Scientology was the least of our problems'
Paul Thomas Anderson talks about the inspirations for the film, Joaquin Phoenix’s immersive acting style, shooting large format, and now adapting Thomas Pynchon’s Inherent Vice.
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FeaturesLogan Mulvey, GoDigital
The CEO of digital distributor GoDigital talks to Screen about striking deals with film-makers to make the fast-evolving online space pay.
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FeaturesMira Nair talks The Reluctant Fundamentalist
The filmmaker tells Screen about the pressure of opening Venice, wanting to tell a story of contemporary Pakistan and America, and preparing Riz Ahmed (and his beard).
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FeaturesFemi Oguns
Screen talks to the founder and CEO of Identity Drama School, Britain’s first black drama school and leading talent agency, IAG.