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FeaturesMatt Reeves
Cloverfield director Matt Reeves talks about his follow up, Let Me In, a remake of Swedish vampire tale Let The Right One In, which is currently in post production.
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Cloverfield's Matt Reeves to direct Let The Right One In remake
Cloverfield director Matt Reeves (pictured) will write and direct the English-language adaptation of Tomas Alfredson's acclaimed Swedish contemporary vampire feature Let The Right One In for Overture Films and London-based Hammer Films.Let The Right One In will be the first in a new two-film co-production, financing and distribution deal between ...
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NewsRichard Jenkins joins cast of Hammer/Overture's Let Me In
Kodi Smit-McPhee, Chloe Moretz and Richard Jenkins will star in Let Me In, Matt Reeves’ English-language adaptation of Swedish arthouse hit Let The Right One In that Overture Films will release in the US.
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NewsBong Joon Ho talks ‘Mickey 17’ release delays and outsmarting AI
The ‘Parasite’ director was joined by actor Robert Pattinson in Seoul.
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NewsOverture to release Let Me In on October 1
Overture Films has set an October 1 North American release date for the thriller Let Me In, inspired by Tomas Alfredson’s Swedish vampire hit Let The Right One In.
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NonStop takes The Trip, Let Me In and Barney's Version at AFM
Swedish distribution outfit NonStop Entertainment announces AFM acquisitions of The Trip, Let Me In and Barney’s Version.
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NewsProduction underway in New Mexico on Overture and Exclusive's Let Me In
Production has begun in Albuquerque, New Mexico, on Let Me In, Hammer Films’ English-language retelling of the Swedish vampire hit Let The Right One In that Overture Films will release in North America.
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NewsLegendary Entertainment, Hammer to reboot British sci-fi 'Quatermass'
The Night Manager writer David Farr to adapt screenplay.
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NewsUPDATE: Toronto adds more big world premieres; unveils Midnight Madness line-up
Toronto International Film Festival has unveiled more films in its programme. Notable new world premieres include Matt Reeves’ Let Me In, Clint Eastwood’s Hereafter, and Dustin Lance Black’s What’s Wrong With Virginia.
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