Latest
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Reviews‘Passion Simple’: San Sebastian Review
Laetitia Dosch and Sergei Polunin headline this adaptation of the ‘autofiction’ novel by Annie Ernaux
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Reviews
‘DNA’: San Sebastian Review
Maïwenn’s Cannes Label drama tracks a French-Algerian family after the death of its patriarch
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‘Spring Blossom’: San Sebastian Review
Suzanne Lindon makes her acting and directorial debut with remarkable assurance - and success
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‘Rifkin’s Festival’: San Sebastian Review
Woody Allen’s latest was shot in the film festival it now opens
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‘Ammonite’: Toronto Review
Francis Lee follows up ‘God’s Own Country’ with a solemn love story sparked by Kate Winslet and Saoirse Ronan
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‘Limbo’: Toronto Review
A group of refugees form a cautious friendship in this wry, Beckettian comedy
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Reviews
‘Monday’: Toronto Review
What happens when Friday night collides with Monday morning for two American expats in Athens
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‘The Predators’: Venice Review
Two disparate families collide in Pietro Castellitto’s feature debut, a dark comedy set in Rome
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Reviews
‘And Tomorrow The Entire World’: Venice Review
A nervy activism drama filled with sexual tension and a feisty fascist-punching ethos
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‘The Macaluso Sisters’: Venice Review
Emma Dante returns with an ode to the sisterhood set in urban Palermo
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‘Listen’: Venice Review
A loving London-based Portuguese couple battle to regain custody of their children
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‘Never Gonna Snow Again’: Venice Review
Małgorzata Szumowska and Michał Englert present a surreal story of a healer from Chernobyl
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Reviews
‘Salvatore - Shoemaker Of Dreams’: Venice Review
Luca Guadagnino gives the maestro of footwear his due
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‘Mosquito State’: Venice Review
The 2007 financial collapse serves as the backdrop for this intriguing, insect-laden drama
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Reviews
‘Mandibles’: Venice Review
Winning slacker comedy set on the Cote D’Azur in which a fly strays very far from the wall
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‘Miss Marx’: Venice Review
Susanna Nicchiarelli pays tribute to Karl Marx’s youngest daughter, Eleanor
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‘The Book Of Vision’: Venice Review
Venice Critics Week opens with a ’wilfully enigmatic film’ clearly influenced by EP Terrence Malick’s work
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Reviews
‘Lovers’: Venice Review
Stacy Martin and Pierre Niney headline Nicole Garcia’s Venice Competition title
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Reviews
‘Quo Vadis, Aida?’: Venice Review
Jasmila Zbanic directly addresses Srebrenica in this taut, compelling film
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Reviews
‘Apples’: Venice Review
An amnesia pandemic sweeps across Greece in this unforgettable first feature
