All articles by Allan Hunter – Page 5
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Reviews
‘Smell Of Burnt Milk’: Munich Review
A graduation feature set on a family farm is one to watch in Munich’s New German Cinema selection
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Reviews
‘Dismissed’: Transilvania Review
A suspicious fire at an AI corporation fuels this inventive faux documentary which won Transilvania’s Romanian Days
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Reviews
‘Kix’: Transilvania Review
Transilvania doc winner captures the life of a Hungarian boy over more than a decade
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Reviews
‘Satu - Year Of The Rabbit’: Raindance Review
A boy searching for his long-lost mother through Laos in this appealing debut from UK director Joshua Trigg
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‘Flow’: Cannes Review
Tour-de-force animation about a cat and his fellow tsunami survivors is an Un Certain Regard standout
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Reviews
‘Niki’: Cannes Review
Charlotte Le Bon embodies French artist Niki de Saint-Phalle in Celine Sallette’s vivid biopic
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Reviews
‘Filmlovers!’: Cannes Review
Arnaud Desplechin celebrates his life-long love of cinema through the experiences of alter-ego protagonist Paul Dedalus
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Reviews
‘The Brink Of Dreams’: Cannes Review
An all-female Egyptian street theatre troupe act out their frustrations in this appealing Critics Week documentary
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Reviews
‘Block Pass’: Cannes Review
Two teenage boys navigate small-town life in this Critics’ Week debut from the director of TV’s ’Le Bureau’
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Reviews
‘My Sunshine’: Cannes Review
A heartwarming Japanese drama about young friendships cuts much deeper than it initially promises
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Reviews
‘Meeting With Pol Pot’: Cannes Review
Rithy Panh dramatises a real-life event in this period thriller about three French journalists who travel to Cambodia to interview the Khmer Rouge leader
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Reviews
‘In His Own Image’: Cannes Review
Corsica’s fight for independence is told through the experiences of a young photographer in this dry drama
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Reviews
‘Simon Of The Mountain’: Cannes Review
A youg disabled man is not all he appears in this fresh, provocative Argentinian debut
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Reviews
‘Ghost Trail’: Cannes Review
Thrilling debut about a Syrian refugee in Europe taking revenge opens Critics Week
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Reviews
‘Good One’: Cannes Review
A hiking trip puts a father-daughter relationship to the test in this slow-burn Sundance debut
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Reviews
‘The Landscape And The Fury’: Visions du Reel Review
The fragility of life in the Bosnia and Herzegovina borderlands is challenged by the arrival of refugees in this immersive Visions du Reel winner
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Reviews
‘Billy’: Visions du Reel Review
Lawrence Cote-Collins tracks her friend Billy’s conviction for murder and his lifelong struggle with mental health
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‘Apple Cider Vinegar’: Visions du Reel Review
Inspired by her own illness, Sofie Benoot sets off to find direct connections between the human body and our planet
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Reviews
‘Woken’: Dublin Review
A pregnant woman washes up on a mysterious, sinister island in Alan Friel’s genre debut
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Reviews
‘Sex’: Berlin Review
Two heterosexual Norwegian men explore their sexuality in Berlin’s Europa Label winner