All Distribution articles – Page 644
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News
When We Leave finds North American buyers
Munich-based sales agent Telepool has sold Feo Aladag’s feature debut When We Leave (Die Fremde) to the US and Canada.
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Weinstein Company takes US rights to Sarah's Keys
The Weinstein Company has confirmed its preemptive acquisition of US rights to Sarah’s Keys starring Kristin Scott Thomas.
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Project Canvas a potential ‘game changer’ for filmmakers says John Woodward
John Woodward, CEO of the UK Film Council, said Friday that controversial internet-connected television platform Project Canvas could be a ‘game changer’ for UK filmmakers and independent distributors.
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Berlin-based EEAP signs exclusive distribution deal with Bulgaria
Berlin-based license trader Eastern European Acquisition Pool (EEAP) has signed an exclusive distribution deal with Bulgaria’s leading theatrical distributor and exhibitor Alexandra Groupholding.
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Algeria submits Bouchareb's Outside The Law for Academy Awards
Algeria will submit Rachid Bouchareb’s Outside The Law (Hors La Loi) as its foreign language contender.
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Screen Media takes North America on White Lion
Screen Media has acquired North American rights to Michael Swan’s live-action family adventure White Lion.
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Inception, Expendables, Airbender battle for overseas
Warner Bros Pictures International’s Inception will battle with Nu Image’s The Expendables and Paramount’s TheLast Airbender for box office supremacy this weekend.
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Drafthouse picks up Four Lions
The Austin-based Alamo Drafthouse cinema is expanding into distribution through Drafthouse Films and has taken US rights to Chris Morris’ Four Lions.
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ATO takes TIFF world premiere Casino Jack
A December release is being targeted for the film, which stars Kevin Spacey as a disgraced Washington lobbyist Jack Abranoff.
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Features
Summer box office slumps, but indies show strength
Len Klady analyses the US box office results this summer, with revenues down but niche films doing well.
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News
Sony Pictures Classics picks up Barney's Version
SPC has acquired all US rights to Richard J. Lewis’ feature adaptation, which is in competition at Venice.
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Memento secures sales on Silent Souls
The company has nade a number of sales on Aleksei Fedorchenko’s well received Venice competition film, which will go on to screen in Toronto.
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Lorber takes US rights to Le Quattro Volte
Lorber Films has acquired all US rights to Toronto-bound Le Quattro Volte from Italian director Michelangelo Frammartino (The Gift).
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Fox Home Entertainment, Thirteen acquire Scorsese's A Letter To Elia
Twentieth Century Fox Home Entertainment and Thirteen’s American Masters series have acquired Martin Scorsese’s documentary A Letter To Elia following its world premiere in Venice.
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Digital Cinema Media signs screen advertising contract with Vue
Screen advertising outfit Digital Cinema Media (DCM) has signed a four year contract with Vue for the exclusive rights to sell the exhibitor’s on screen advertising.
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Cinemavault licenses RWWM to Image in US, Telepool in Germany
Image Entertainment has taken US rights from Toronto-based Cinemavault to Julius Kemp’s horror tale ReykjavikWhale Watching Massacre.
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Shrek Forever After is overseas king for DreamWorks Animation
Shrek Forever After has become the highest grossing DreamWorks Animation film of all time at the international box office.
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D Films signs alternative content deal with Emerging Pictures
Canada’s D Films has signed an exclusive long-term output deal with New York-based Emerging Pictures to distribute alternative programming.
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The American hits Labor Day target for Focus on $16.4m
Summer ended with a whimper as Focus Features’ assassin drama The American starring George Clooney opened top on an estimated $16.4m over the four-day Labor Day holiday weekend, rising to $19.5m since Wednesday’s [Sept 1] release.
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News
Soda takes on brilliantlove for New British Cinema Quarterly series
Soda Pictures has acquired the UK and Irish rights to Ashley Horner’s brilliantlove and will release the film as part of its New British Cinema Quarterly series.