All articles by Elizabeth Kerr – Page 3
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Reviews‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
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Reviews‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
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Reviews‘Hi-Five’ review: ‘Burning’ star Yoo Ah-in joins strong cast for South Korean superhero movie
Director Kang Hyoung-chul’s fantasy adventure sees ordinary Koreans develop superpowers after organ transplants
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Reviews‘Behind The Shadows’ review: Louis Koo plays a hardbitten PI in Kuala Lumpur-set detective thriller
The first Malaysian production from Koo’s expanding One Cool Group
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Reviews‘Love On Trial’ review: Koji Fukada’s drama reveals the dark side of the J-pop phenomenon
A female singer faces a lawsuit for having a boyfriend in this underpowered Cannes Premiere
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Reviews‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
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Reviews‘A Useful Ghost’ review: A haunted vacuum cleaner collides with Thailand’s recent past
This deadpan Thai comedy-drama takes big risks and comes out swinging
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Reviews‘Sons Of The Neon Night’ review: With no expense spared, Juno Mak constructs an alternate 1990s Hong Kong
The actor/director’s tricky, long-awaited follow-up to ‘Rigor Mortis’ bows in Cannes’ Midnight strand
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Reviews‘Brand New Landscape’ review: Debut explores a Tokyo family in crisis
Kenichi Endo stars in Yuiga Danzuka’s precise Directors Fortnight drama
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Reviews‘The Brightest Sun’ review: Hidetoshi Nishijima plays detective for director Tetsuya Nakashima
Pleasingly complex murder mystery opened the Hong Kong International Film Festival
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Reviews‘Ne Zha 2’ review: Energetic Chinese sequel is the highest grossing animated film of all time
Jiaozi’s box office hit is ”made for the big screen”
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Reviews‘True Love, For Once In My Life’ review: Fruit Chan produces smartphone-shot Hong Kong drama
Delon Siu Koon-ho’s debut is a sensitive tale of infidelity
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