![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All articles by Elizabeth Kerr
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Reviews‘Kokuho’ review: Lee Sang-il’s propulsive, lavish drama is a window into the Japanese art of kabuki theatre
Ken Wanatabe, Ryusei Yokohama and Soya Kurokawa star in Japan’s Oscar submission, which closes Bangkok
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Reviews‘Tharae: The Exorcist’ review: Thai horror blends familiar possession narrative with religious folklore
Taweewat Wantha’s gory thriller sees an ancient demon terrorise a Catholic village
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Reviews‘Spying Stars’ review: Vimukthi Jayasundara meditates on grief in lyrical Sri Lankan sci-fi drama
A scientist returning from space to bury her father encounters a dystopic world in Busan Competition title
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Reviews’By Another Name’ review: A dying filmmaker attempts a final project in South Korean drama
Busan Competition title is latest work from Hong Sang-soo apprentice Lee Jea-han
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Reviews‘Gloaming In Luomu’ review: Zhang Lu delivers an enigmatic Chinese small-town mystery
A woman searches for her missing boyfriend in the Korean-Chinese filmmaker’s Busan Competition title
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Reviews‘Beautiful Dreamer’ review: Sensitive South Korean drama explores the impact of suicide
A mother and daughter attempt to move on from the death of the family patriarch in Lee Kwang-kuk’s Busan premiere
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Reviews‘The Second Child’ review: Lim Soo-jung stars in atmospheric South Korean horror-tinged mystery
A mother and daughter attempt to move on from tragedy in Yu Eun-jeong’s Busan Competition premiere
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Reviews‘Funky Freaky Freaks’ review: South Korean debut is frantic tale of high school jealousy and revenge
Hyper-stylised Busan Competition entry is grounded by strong performances
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Reviews‘En Route To’ review: A surprise teenage pregnancy fuels this accomplished South Korean debut
Yoo Jae-in’s Korean Academy of Film Arts graduation project premieres in Busan Competition
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Reviews‘Baka’s Identity’ review: A trio of Japanese internet scammers attempt to escape their life of crime
Koto Nagata’s low-key crime thriller premieres in Busan Competition
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Reviews‘Demon Slayer: Infinity Castle’ review: Bombastic new instalment of hit Japanese manga series
Haruo Sotozaki’s adaptation of Koyoharu Gotouge’s manga novels should please fans and newcomers alike
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Reviews‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
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Reviews‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
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Reviews‘Hi-Five’ review: ‘Burning’ star Yoo Ah-in joins strong cast for South Korean superhero movie
Director Kang Hyoung-chul’s fantasy adventure sees ordinary Koreans develop superpowers after organ transplants
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Reviews‘Behind The Shadows’ review: Louis Koo plays a hardbitten PI in Kuala Lumpur-set detective thriller
The first Malaysian production from Koo’s expanding One Cool Group
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Reviews‘Love On Trial’ review: Koji Fukada’s drama reveals the dark side of the J-pop phenomenon
A female singer faces a lawsuit for having a boyfriend in this underpowered Cannes Premiere
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Reviews‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
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Reviews‘A Useful Ghost’ review: A haunted vacuum cleaner collides with Thailand’s recent past
This deadpan Thai comedy-drama takes big risks and comes out swinging
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Reviews‘Sons Of The Neon Night’ review: With no expense spared, Juno Mak constructs an alternate 1990s Hong Kong
The actor/director’s tricky, long-awaited follow-up to ‘Rigor Mortis’ bows in Cannes’ Midnight strand
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Reviews‘Brand New Landscape’ review: Debut explores a Tokyo family in crisis
Kenichi Endo stars in Yuiga Danzuka’s precise Directors Fortnight drama