All Interview articles – Page 119
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FeaturesThe Eagle has landed
Duncan Kenworthy is one of the UK’s biggest producers, with three Richard Curtis blockbusters to his name - but he hasn’t produced a film since 2003.Matt Mueller caught up with him on the Hungarian location shoot of his long-cherished film, The Eagle Of The Ninth.
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FeaturesDistribution: A Love Story
Overture Films has emerged as one of the main ports of call for independent films looking for US distribution. Key executives Chris McGurk, Danny Rosett and Peter Adee talk to Mike Goodridge about their coming of age
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FeaturesStudio Braun in independent arena
Studio veteran Wolfgang Braun talks to Martin Blaney about the challenges of his new role as head of recently galvanized German distributor Kinowelt
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FeaturesThe great entertainer
Ivan Reitman has directed some of the biggest comedies of the last 30 years,but he is more focused these days on producing films for the likes of hisson Jason and auteur Atom Egoyan, writes Denis Seguin.
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FeaturesAll things bright and beautiful
As Bright Star prepares to open in cinemas around the world, its veteran Australian producer Jan Chapman tells Sandy George about her immersive and committed approach to film-making.
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FeaturesMeadows takes five
Film-maker Shane Meadows tells Sarah Cooper about his latest feature, Le Donk & Scor-Zay-Zee, shot over five days for a mere $75,000
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FeaturesMaking Neds
Seven years after he won the Golden Lion for his directorial debut, Peter Mullan is back in the director’s chair, filming Neds in Glasgow. He talks to ScreenDaily about the 1973-set story and its influences
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FeaturesThe Swiss connection
The Zurich Film Festival’s MD and artistic director talks to Martin Blaney about his other role, as managing director of production outfit Millbrook Pictures, which made a splashy debut with a $4.3m investment in Oliver Stone’s W.
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FeaturesKeeping the edge
The Fortissimo Films chief — now steering the company alone after his partner Wouter Barendrecht died earlier this year — tells Liz Shackleton how he and his team are adjusting their strategy in a tough international sales market
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FeaturesOptimum prime
Ten years old in 2009, Optimum Releasing is now one of the UK’s leading independent distributors and a key part of StudioCanal’s European network.
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FeaturesThe top drawer
As Ponyo hits US theatres, Japanese animation legend Hayao Miyazaki arrived in Los Angeles for a rare promotional trip. He spoke to Mike Goodridge about the Miyazaki process and his passion for hand-drawn animation
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FeaturesThe ascent of Mount Olympus
Basil Iwanyk tells Matt Mueller how his Warner Bros-based Thunder Road Pictures arrived at its first studio tentpole Clash Of The Titans, which is shooting in the UK.
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FeaturesPerry gears up for fight
As the Irish government considers scrapping the Irish Film Board, Simon Perry tells Geoffrey Macnab why the board is vital to Irish film culture.
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FeaturesLaw enforcer on the front line
The UK-born, Singapore-based Mike Ellis is integral to the clampdown on piracy, in his role as head of the MPA’s Asia-Pacific region. He tells Wendy Mitchell why he has the perfect job for an ex-cop who loves movies
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FeaturesTales from the script
The hotshot Hollywood duo Roberto Orci and Alex Kurtzman explain how they learned the key elements of screenwriting and applied them to some of the biggest pictures in the business.
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FeaturesTake 12: Film Export UK
Charlie Bloye, CEO of Film Export UK, one of the 12 organisations taking part in Nesta and the UKFC’s digital innovation programme, explains the challenges facing sales companies in the digital age
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FeaturesPlaying Away
The Oscar winner Sam Mendes tells Mike Goodridge why his Edinburgh opener Away We Go is a far cry from big-budget Hollywood.
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FeaturesChinese Stories
Fresh off a prize win at Cannes for Spring Fever, controversial film-maker Lou Ye tells Liz Shackleton why any portrait of Chinese people in cinema also involves politics.