Latest – Page 65
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FeaturesCannes Confidential: Picturehouse Cinemas’ Clare Binns on her festival survival tips
Binns is managing director of exhibitor Picturehouse Cinemas and distributor Picturehouse Entertainment, and has been a regular on the Croisette from more than 30 years.
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FeaturesCannes 2023: Screen's dailies
Browse Screen International’s daily editions from the 2023 Cannes Film Festival and Cannes Marche Du Film.
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Features‘Just The Two Of Us’ director Valérie Donzelli on writing with Audrey Diwan, her favourite Cannes films
French filmmaker Valérie Donzelli discusses the transition of toxic-marriage drama Just The Two Of Us from script to screen
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FeaturesAlice Rohrwacher talks ‘La Chimera’ casting: “I rewrote the main role for Josh O’Connor”
Italian filmmaker Alice Rohrwacher explains why she reimagined the script of her Competition title La Chimera for UK actor Josh O’Connor.
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FeaturesHow the film industry is making progress in environmental and social sustainability
A British Film Commission and Screen International round table explored the topic.
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FeaturesJessica Hausner on exploring society’s “weak spots” in ‘Club Zero’
Club Zero stars Mia Wasikowska as a teacher at an elite boarding school whose lessons on “conscious eating” have radical and drastic effects on her students.
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FeaturesJason Yu talks Critics’ Week title ‘Sleep’, praised by Palme d’Or and Oscar-winner Bong Joon Ho
Bong says it is “the most unique horror film and the smartest debut film I’ve seen in 10 years”.
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FeaturesExperts debate how emerging markets can attract inward investment from the film sector
How does a film-friendly territory rise above the noise, when countries the world over are going head‑to-head to attract incoming productions? A Screen International panel found out.
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FeaturesJustine Triet on why Cannes title ‘Anatomy Of A Fall’ is a haunted-house movie that turns into an auteur film
Project stars Belgian-French actress Virginie Efira.
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FeaturesStars of Tomorrow at 20: the story behind Screen's renowned talent spotting programme
As Screen International’s new-talent showcase Stars of Tomorrow reaches its 20th anniversary, Screen looks back over two decades of star spotting.
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FeaturesBehind the Nordic genre boom: “People have woken up to the international demand for this content”
Screen explores the global attraction of Scandi scarefests and what’s coming next.
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Features‘Firebrand’ team talk female-led crew, Jude Law transformation and parallels with “puzzling” modern monarchy
Director Karim Aïnouz and producer Gabrielle Tana tell Screen about their collaboration on Tudor-era royal drama — and Competition title — Firebrand
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FeaturesMeet the filmmakers who are pushing the boundaries of Nordic cinema
Storytellers from a diverse range of heritages are flourishing in the region.
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Features‘Goodbye Julia’ producer on Cannes’ first Sudanese title: “Civil war might destroy the country, but it won’t stop us filmmakers”
Amjad Abu Alala on the journey behind the first Sudanese feature to be selected by Cannes and the impact of war.
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FeaturesChina’s Bad Rabbit Pictures prioritizes auteur’s creative freedom and artistic values
Chinese production company is showcasing its award-winning features and discussing three new projects in the pipeline.
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Features“We all see a race for film”: What next for Amazon Studios in Europe?
“Quality over quantity” is the mantra for Amazon Studios’ local original teams.
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FeaturesHow Spain is attracting ambitious international projects such as ‘Asteroid City’ and ‘Pathaan’
Deserts, beaches and snow-topped mountain ranges have helped make Spain one of Europe’s leading location hubs.
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FeaturesFrom 'The Crown' to 'Love Island': Balearic islands become busy filming locations
Paramount+ thriller series Lioness, starring Nicole Kidman and Zoe Saldana, shot for seven weeks on the island of Mallorca.
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FeaturesSpain’s Canary Islands lure international shoots with otherworldy landscapes and a generous tax rebate
Spain’s Canary Islands are attracting a lot of repeat business.
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FeaturesHow Wes Anderson’s ‘Asteroid City’ team re-created the American West in Spain
Wes Anderson wanted to create an oasis somewhere in Europe to make his 1950s-era Cannes Competition title. He found it in Spain, just 15 miles from Madrid.