Latest – Page 401
-
-
FeaturesCannes 2011 documentary profiles
From Egyptian bellydancing to a portrait of Charlotte Rampling.
-
FeaturesSean Durkin
Director Sean Durkin returns to Cannes with Sundance hit Martha Marcy May Marlene after winning Best Short at Directors’ Fortnight last year.
-
FeaturesParamount strikes deal for Rainbow's Not Born To Be Gladiators
EXCLUSIVE: Rainbow CEO Iginio Straffi talks to Screen about the $57m animation project.
-
FeaturesWeekly International Box Office May 6 - 8
Fast Five showed an impressive change of gear to leapfrog Thor into first place as Rio became top overseas earner of 2011.
-
FeaturesUntitled Mat Whitecross Project
Shooting has just wrapped on Mat Whitecross’s follow up to Sex&Drugs&Rock&Roll, a road movie thriller starrring Ray Winstone and Jim Sturgess which is funded by CinemaNX.
-
FeaturesFINAL UPDATE Cannes Dailies 2011 Digital Editions
Catch up with our print Cannes editions here. All 9 issues have now been posted online.
-
FeaturesJulia Leigh
Cannes Meet The Debutants: Acclaimed Australian novelist Julia Leigh makes her debut with Competition title Sleeping Beauty.
-
FeaturesRunar Runarsson
Cannes Meet The Debutants: Screen talks to the Volcano director about sunken ships and his elderly coming-of-age story.
-
FeaturesThor retains UK box office crown
The UK box office displays decent depth as five films gross over $1.6m (£1m) for the first time in eight weeks.
-
FeaturesThe world from Wilshire
UTA independent film group is using its international insight to connect film-makers to innovative financing partners. Screen talks to Rena Ronson and Rich Klubeck about comedies, co-productions and Cannes
-
Features
The new European studios
What has happened to the dream of a European studio? Screen looks at the new model for pan-regional buying partnerships and discovers the challenges in releasing independent films across multiple territories
-
FeaturesOn Egypt's front lines
Young Egyptian film-makers are emerging to portray their lives on the big screen. As Cannes prepares to pay tribute to Egypt as its first guest country, Screen asks if there is a market and finance for this new Arab generation
-
FeaturesMiramax's third act
Well-respected former Fox executive Mike Lang is making an impression at the head of the newly re-independent Miramax Films. He talks to Jeremy Kay about exploiting the library, rebooting production and working with the Weinsteins
-
Features
Something to defend
As the British Film Institute takes over the distribution of public film funds to UK producers, Screen asks what makes a good national film fund and how can success be measured?
-
Features
Fund times in Europe
What do producers really think about the manner in which national funds choose projects and allocate money? Screen profiles a selection of European bodies and gauges local opinion on how they operate. We also look at the role played by public bodies in Canada and Australia in supporting film production
-
FeaturesMobilising for MEDIA
The future role of the European Union’s MEDIA programme in the continent’s film industry remains unclear following plans to restructure arts spending in Europe. Martin Blaney reports
-
FeaturesParis when it sizzles
After one false start in 2006, Woody Allen has finally made a film in Paris, which has been selected to open Cannes this year. Melanie Goodfellow discovers how the master film-maker shot all over the city last summer
-
FeaturesStrong arm of the law
Sylvie Barnaud must be one of the most credited police chiefs in the history of IMDb. Julie & Julia and The Da Vinci Code are just two of the productions to mention the Paris-based police commander for her help during shoots.
-
Features
Sellers gain from capital
Access to capital is the key for top-tier sales agents to secure A-list projects in today’s ultra competitive, slimmed-down marketplace.