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  • Alexander Payne talked about his career in a masterclass hosted by Screen contributor Gunnar Rehlin.
    Features

    Kosmorama festival, Norway

    2011-04-12T17:17:00Z

    Guests in Trondheim included Alexander Payne

  • Rio
    Features

    Rio injects a little samba into listless UK box office

    2011-04-12T11:30:00Z

    Fox’s animation grosses $2.5m (£1.5m) to lead the pack in one of the year’s weakest frames

  • Ludivine Sagnier, Diane Kruger, and director Fabienne Berthaud with Lily Sometimes.
    Features

    Athens French Speaking Film Festival

    2011-04-11T11:50:00Z

    The 12th event ran March 31-April 8 in Athens before moving on to Thessaloniki.

  • Sucker Punch
    Features

    Weekly International Box Office April 1-3

    2011-04-07T12:35:00Z

    Warner Bros.’ Sucker Punch scored a narrow points victory over its rivals on the least impressive international box office weekend of 2011.

  • abi_morgan.jpg
    Features

    Abi Morgan

    2011-04-07T10:47:00Z

    Acclaimed film and TV writer Abi Morgan talks to Screen at MIPTV about her upcoming six-part TV series The Hour, a 1950s-set newsroom drama starring Dominic West, Ben Whishaw and Romola Garai.

  • The_Hidden_Face.JPG
    Features

    The Hidden Face

    2011-04-07T09:51:00Z

    Previously known as Bunker, this Fox International backed psychological thriller about love, jealousy and betrayal shot in Bogota, Colombia.

  • Luciano_Barisone.jpg
    Features

    Luciano Barisone

    2011-04-07T09:40:00Z

    The new director of Swiss documentary festival Visions Du Réel which runs April 7-13, talks about his plans to boost the festival’s international profile.

  • Nanni Moretti's We Have A Pope is backed by Eurimages
    Features

    Europe calling

    2011-04-07T09:30:00Z

    Some vocal British producers hope that the UK could re-join Eurimages, at a time when the organisation is booming with the new addition of Russia.

  • Ken Adam and Anouk Aimee at BAFTA
    Features

    Ken Adam at BAFTA

    2011-04-06T16:45:00Z

    On April 4, BAFTA presented a special tribute to production designer Ken Adam. Guests included Christopher Frayling, actress Anouk Aimee and production designers talking about their favourite Adam designs: Jim Clay (Children of Men) on Dr Strangelove; Nathan Crowley (The Dark Knight) on Barry Lyndon; Martin Childs (Shakespeare in Love) ...

  • What_A_Beautiful_Day.jpg
    Features

    Laughter therapy

    2011-04-05T14:31:00Z

    How can international films make a mark at the Italian box office in 2011 when local films tackling timely subjects are dominating?

  • We_Have_A_Pope.jpg
    Features

    Auteurs in action

    2011-04-05T14:30:00Z

    New projects from Nanni Moretti, Paolo Sorrentino, Emanuele Crialese and Gabriele Salvatores are putting Italian film-making on course for a stellar year.

  • Someday_This_Pain_Will_Be_Useful_.jpg
    Features

    Pain relief

    2011-04-05T14:29:00Z

    How did an English-language, New York-set project end up as a majority Italian co-production with access to the country’s full array of financial incentives — as well as those available in the US? We talk to the team behind Someday This Pain Will Be Useful To You

  • Stefano Sollima
    Features

    The nuovo generation

    2011-04-05T14:28:00Z

    Who does the Italian industry believe are the country’s most exciting new Italian actors, directors and writers? Profiles by Sheri Jennings

  • The_Rite.jpg
    Features

    Tax credit: the lowdown

    2011-04-05T14:25:00Z

    How can foreign producers access the tax credit? Sheri Jennings reports

  • This_Must_Be_The_Place.jpg
    Features

    The beautiful country

    2011-04-05T14:24:00Z

    All roads may no longer lead to Rome but Italy’s network of regional film commissions and a generous tax credit are putting the territory and its producers firmly on the international production map. Sheri Jennings reports

  • zen233020.jpg
    Features

    Think big, start small

    2011-04-05T14:24:00Z

    The barrier between film and TV is coming down as UK producers exploit different platforms to match finance with creative ambition.

  • Downton Abbey
    Features

    Case study of a dramatic success

    2011-04-05T14:24:00Z

    How did Carnival Films finance its 2010 hit, Downton Abbey? Ben Dowell reports

  • The_Borgias.jpg
    Features

    Acting up

    2011-04-05T14:23:00Z

    What kind of deals are talent agents securing for UK actors working on US TV? Matt Mueller reports

  • Features

    Cash of the titans

    2011-04-05T14:23:00Z

    Will its ground-breaking deal with HBO encourage the UK’s Sky — and the territory’s other broadcasters — to increase their own investment in high-end TV drama? Matt Mueller reports

  • _Mildred_Pierce.jpg
    Features

    The box of delights

    2011-04-05T14:22:00Z

    No longer simply a refuge for a career in decline, serious TV drama is alive and thriving in the US as film talents including Kate Winslet and Martin Scorsese clamour to work on the small screen. But can this trend continue?