Latest – Page 76

  • Mike Goodridge
    Comment

    Selling the Sizzle, Not the Steak

    2010-04-08T12:17:00Z

    Sales agents are finding it increasingly difficult to close pre-sales, as cash-strapped buyers practice a wait-and-see policy.

  • Denise Nurse
    Comment

    The UK’s Digital Economy Bill – a victory for copyright owners?

    2010-04-08T11:24:00Z

    In this week’s Guest Comment, Denise Nurse and Laurie Cooke of Halebury Law argue that this UK bill may not be enough to stop the wave of Internet piracy.

  • Mike Goodridge
    Comment

    In rewarding creative ambition, let's not ignore genre films

    2010-04-01T11:54:00Z

    The UK Film Council’s new three-year plan will focus on “creative excellence”, meaning more risky projects, but will genre films take a back seat?

  • Mike Goodridge
    Comment

    China: Film, Revenue Sharing, Sex

    2010-03-25T12:45:00Z

    China Film Group reaps big profits from the country’s growing cinema audience, but there is a dark side when local authorities deem a film unpatriotic or too sexually explicit.

  • Mike Goodridge
    Comment

    Whither The Message Movie?

    2010-03-18T13:02:00Z

    The lacklustre perfomance of Green Zone has proved again that cinema audiences are not enticed by Iraq war dramas but more than that it could mark a turning point for high-priced movies with message.

  • Mike Goodridge Cannes
    Comment

    Awards season blues: films fighting films

    2010-03-11T11:26:00Z

    Now that the awards season is over, it’s time to get back to judging films on their own merits, rather than creating artificial battles.

  • Mike Goodridge Cannes
    Comment

    David versus Goliath

    2010-03-04T10:55:00Z

    As the Oscars approach, the showdown between Avatar and The Hurt Locker has tapped into a wider issue

  • Pamela Forte
    Comment

    Collaborating on film development - Why trust doesn’t come into it

    2010-02-25T12:42:00Z

    Media lawyer, Pamela Forte of Forte Law, explains why trust is no substitute for a legally binding agreement when it comes to collaborating on feature film development material.

  • Mike Goodridge
    Comment

    A window to the future

    2010-02-25T12:40:00Z

    Exhibitors have survived many technological advances but they are now facing an even tougher challenge; a generation that demands movies instantly and is indifferent to whether that is on a big screen or iPod.

  • Mike Goodridge
    Comment

    Berlin: Balance Shifts Back To Independents

    2010-02-18T13:21:00Z

    The imminent collapse of the independent sector, loudly predicted at last year’s Berlin, has not only failed to materialise; this year’s festival suggest is may even benefit from the crumbling studio model.

  • Mike Goodridge
    Comment

    The price of festivals

    2010-02-04T15:01:00Z

    Film festivals may not be cheap to attend but, on a cultural level, they still have an important role to play in screening ambitious and challenging films that struggle to find mainstream distribution.

  • Arvind Ethan David
    Comment

    What we could learn from Iron Man’s Masters

    2010-01-29T13:04:00Z

    Arvind Ethan David speculates on what lessons Marvel Entertainment might hold for the UK film industry and those who strive to make her sustainable.

  • Mike Goodridge Cannes
    Comment

    Faith in the audience

    2010-01-29T12:29:00Z

    Faith-friendly films may be drawing in the crowds, but Hollywood is still scared of interacting with religious audiences.

  • Mike Goodridge
    Comment

    Producers who actually produce

    2010-01-21T13:17:00Z

    The film industry’s recent equity era turned executives, financiers and, sometimes, stars into “producers” but, in reality, that is often not where the real credit is due.

  • Sam Tatton Brown
    Comment

    Hunting down film finance

    2010-01-14T13:01:00Z

    There is hope for beleaguered UK producers as traditional sources of finance dry up, says London-based film lawyer Sam Tatton Brown.

  • Mike Goodridge
    Comment

    Globes prompt annual sniping

    2010-01-14T12:24:00Z

    The domestic media has long used Golden Globes week as an excuse to mock The Hollywood Foreign Press Association; but the tide is turning and US studios are increasingly coming round to the huge potential of the international market.

  • Mike Goodridge
    Comment

    Lessons from Avatar

    2010-01-07T15:10:00Z

    Mega-blockbusters such as Avatar may be extreme rarities but it serves to remind the industry that while there are big problems yet to be solved; great entertainment and storytelling remain key winning over audiences.

  • Mike Goodridge, editor Screen International
    Comment

    A Locker full of gold

    2009-12-17T12:25:00Z

    Despite the difficulties in producing and distributing The Hurt Locker, the heart-pounding Iraq drama is a perfect example of how an independent production can reap the greatest rewards.

  • Liz Shackleton Asia Pacific editor, Screen International
    Comment

    Worlds apart but moving closer

    2009-12-17T12:04:00Z

    While a gulf still exists between India’s overtly commercial and star-driven film industry and its European counterpart, there are signs that producers from both regions are looking for ways to secure crossover success.

  • The Last Flight
    Comment

    Desert roses

    2009-12-17T08:30:00Z

    Business as usual in Dubai, with the region’s film-makers showing off their finest wares