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Features"A great, great artist": Martin Scorsese on his friend and frequent collaborator Robbie Robertson
The filmmaker tells Screen International about their life and work together.
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NewsMartin Scorsese talks “theme park films”, Netflix trade-off, de-ageing concerns
Legendary director delivers Bafta David Lean lecture in London.
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NewsAmsterdam's Eye plans opening festival including Scorsese, Terminator II, Kauwboy
Amsterdam’s new EYE film museum, which opens to the public on April 5, will kick off with a festival week (April 5-11) including screenings, live music, dance, talks, a children’s day and more.
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Scorsese to be honoured for documentary work at Silverdocs
The Silverdocs: AFI/Discovery Channel Documentary Festival willhonour Martin Scorsese at the third annual Charles Guggenheim Symposium on Jun15 in Maryland.The symposium will celebrate the filmmaker's status as adocumentary filmmaker and a chronicler of American art and culture with aseries of excerpts from his documentary work followed by an on-stage discussionof ...
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NewsJean Eustache’s ‘The Mother And The Whore’ to open Cannes Classics
This year’s line-up will also celebrate classics such as Singin’ In The Rain and Indian director Satyajit Ray’s 1970 work The Adversary.
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News'Once Were Brothers: Robbie Robertson And The Band' to open 2019 Toronto Film Festival
Premiere marks the first time a Canadian-made documentary will open festival.
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NewsRaging Bull's Michael Chapman to receive Camerimage honour
DoP behind Taxi Driver, The Lost Boys and Michael Jackson’s Bad to receive lifetime award.
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News'The Deer Hunter' cinematographer Vilmos Zsigmond dies aged 85
Visionary cinematographer Vilmos Zsigmond, who escaped his native Hungary to set up in Hollywood and became one of the most acclaimed practitioners of his generation, has died aged 85 in Big Sur, California.
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FeaturesMike Medaovy and Brad Fischer, producers, Shutter Island
Shutter Island producers Mike Medavoy and Brad Fischer of Phoenix Pictures on Martin Scorsese’s special relationship with Leonardo DiCaprio and why thrillers of the 1930s and 1940s are part of the director’s DNA.
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