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Reviews‘Honey Don’t’ review: Margaret Qualley plays a PI in Ethan Coen’s slight California comedy
Qualley brings some grit to her gumshoe, even if the road is uneven
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Coen brothers' Burn After Reading to open Venice Film Festival
Joel and Ethan Coen's Burn After Reading will open the 65th edition of the Venice Film Festival as a world premiere.The film's classification as a gala or competition screening will be announced at a later date, the Biennale has said.In either case, the follow-up to the Coen Brother's celebrated No ...
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NewsCoens’ Hail, Caesar! to begin shooting Monday
George Clooney and Josh Brolin star in the film set in 1950s Hollywood.
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FeaturesA Serious Man
Directors Joel Coen, Ethan CoenProducers Joel Coen, Ethan CoenProduction company Working Title FilmsUS distribution Focus FeaturesInternational sales Focus Features InternationalUS release date October 2Worldwide gross $15m to December 13Best picture chancesA Serious Man has its detractors but its supporters are passionate, and the Coens have an ...
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Coens start A Serious Man shoot for Focus, Working Title
After Burn After Reading premiered in Venice and Toronto and is set for US release tomorrow, Joel and Ethan Coen have started production this week for A Serious Man.The Focus Features and Working Title Films production is shooting on location in Minnesota.The Coen brothers are writing, directing and producing. Executive ...
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Coens sign two-picture deal with Focus, Working Title
Joel and Ethan Coen will write, produce, and direct their next two projects Burn After Reading and A Serious Man for Focus Features and Working Title Films following a two-film deal announced yesterday [April 23].Brad Pitt has joined George Clooney and Frances McDormand on the previously announced espionage black comedy ...
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FeaturesEllen Chenoweth
The acclaimed US casting director talks to Screen about the Actors Studio, working with the Coen brothers and unearthing Hailee Steinfeld.
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Bafta flashback: ‘Man On Wire’ duo James Marsh and Simon Chinn on beating Danny Boyle and becoming Oscar favourites
Nia DaCosta on her gender-flipped adaptation of an Ibsen classic: “Making Hedda mixed-race added layers to her torture”
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