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NewsClaire Denis, Leos Carax, Jim Sheridan among Qumra Masters for 10th edition
Atom Egoyan, Martin Hernandez will also be Masters at the event.
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NewsRelativity, Voltage privy to The Secret Scripture
EXCLUSIVE: Relativity Studios has acquired US rights from Ferndale Films and Jim Sheridan to The Secret Scripture, which Voltage Pictures has come on to sell internationally at AFM.
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NewsIFNY to honour Jim Sheridan
Jim Sheridan will take part in an on-stage conversation at the fourth annual Irish Film New York (IFNY), set to run from October 3-5.
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NewsIrish Academy to honour Jim Sheridan
Lifetime award to the director of My Left Foot and In the Name of the Father.
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NewsSheridan film among IFB line-up
EXCLUSIVE: Irish Film Board to back productions including Jim Sheridan’s The Secret Scripture and Tomato Red.
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NewsEurimages to support 30 films, including Margarethe von Trotta Bergman doc
Co-production funding worth more than €5.5m announced.
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News'Mustang' casting director wins award in Locarno
Turkish casting director one of 16 nominated for prize.
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NewsJonathan Deckter joins Voltage as partner
In a significant switch that underscores Voltage’s ambitions, the executive has left as president of IM Global to become president / COO at Nicolas Chartier’s company.
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News'The Magnificent Seven' to open Toronto film festival
Toronto International Film Festival (TIFF) programmers have served up the first picks from what will be a typically daunting menu in September.
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‘Avatar: Fire And Ash’ hits $760m at global box office after strong hold; Italy’s ‘Buen Camino’ delivers Christmas smash
UK-Ireland box office preview: ‘The Housemaid’, ‘The SpongeBob Movie: Search For SquarePants’ lead festive releases
‘Avatar: Fire And Ash’ heats up UK-Ireland box office with £9m opening
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Bafta flashback: ‘Man On Wire’ duo James Marsh and Simon Chinn on beating Danny Boyle and becoming Oscar favourites
Nia DaCosta on her gender-flipped adaptation of an Ibsen classic: “Making Hedda mixed-race added layers to her torture”
Ethan Hawke on playing Lorenz Hart in ‘Blue Moon’ and how Philip Seymour Hoffman changed the trajectory of his career
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