All Cannes Premiere articles
-
Reviews‘Splitsville’ review: Dakota Johnson and Adria Arjona play love rivals in partner-swap comedy
Director/star Michael Angelo Covino follows ’The Climb’ with uneven Cannes Premiere title
-
Reviews‘Magellan’ review: Lav Diaz directs Gael Garcia Bernal as the titular Portuguese explorer
The prolific Filipino auteur serves up a handsome, accessible historical biopic
-
Reviews‘The Love That Remains’ review: Follow-up to ‘Godland’ is a tender breakup drama
Iceland’s Hynur Palmason returns with film about the end of a marraige.
-
Reviews‘Orwell: 2+2=5’ review: Raoul Peck links the writer, thinker and activist to the Orwellian present day
Peck’s wide-ranging, cluttered film is several documentaries in one
-
Reviews‘Amrum’ review: Fatih Akin directs coming-of-age drama set in 1945 Germany
Diane Kruger stars in delicate story set on a remote island as the Nazi regime falls
-
NewsHlynur Palmson’s ‘The Love That Remains’ acquired for UK-Ireland distribution
EXCLUSIVE: Curzon reunites with Palmason after releasing ‘Godland’ in 2023.
-
Reviews‘Being Maria’: Cannes Review
Anamaria Vartolomei impresses as Last Tango In Paris star Maria Schneider in Jessica Palud’s sensitive biopic
-
Reviews‘Misericordia’: Cannes Review
Alain Guiraudie returns to Cannes with a philosophical digression disguised as a French rural melodrama
-
Reviews‘Everybody Loves Touda’: Cannes Review
Nabil Ayouch travels to a rowdy Casablanca bar for this musically-driven drama starring Nisrin Erradi
-
Reviews‘Meeting With Pol Pot’: Cannes Review
Rithy Panh dramatises a real-life event in this period thriller about three French journalists who travel to Cambodia to interview the Khmer Rouge leader
-
FeaturesCannes 2024 line-up guide: Special, Midnight Screenings and Premiere titles
Includes films from Oliver Stone, Sergei Loznitsa and Ron Howard.
-
NewsVictor Erice’s Cannes Premiere title ‘Close Your Eyes’ scores UK-Ireland distribution deal (exclusive)
Erice did not attend the Cannes launch in protest at a lack of “dialogue and consultation” over its Competition omission.
-
Reviews‘Just The Two Of Us’: Cannes Review
Virginie Efira and Melvil Poupaud star in Valerie Donzelli’s well-observed domestic abuse drama
-
Reviews‘Kubi’: Cannes Review
Takeshi Kitano’s return to the samurai genre is an adaptation of his own historical novel
-
Reviews‘Close Your Eyes’: Cannes Review
Spanish director Victor Erice returns after a 30-year absence with this languid tale of a missing actor
-
Features‘Just The Two Of Us’ director Valérie Donzelli on writing with Audrey Diwan, her favourite Cannes films
French filmmaker Valérie Donzelli discusses the transition of toxic-marriage drama Just The Two Of Us from script to screen
-
Reviews‘Bonnard, Pierre And Marthe’: Cannes Review
Cannes Premiere title paints a beautiful portrait of French artist Pierre Bonnard and his muse
-
Reviews‘Eureka’: Cannes Review
Lisandro Alonso’s trademark slow cinema treads new metaphysical ground into very hazy terrain
-
Reviews‘Along Came Love’: Cannes Review
An epic post-war romance starring Anaïs Demoustier and Vincent Lacoste has its roots in director Katell Quillevere’s own family history
-
Reviews‘Strange Way Of Life’: Cannes Review
Ethan Hawke and Pedro Pascal are cowboys with history in Pedro Almodovar’s queer Western short