Latest – Page 332
-
FeaturesKristian Levring, The Salvation
Kristian Levring tells Wendy Mitchell about the inspiring process of making The Salvation, a ‘Western that’s a myth about Westerns’
-
FeaturesAndrew Hulme, Snow In Paradise
The veteran editor talks about moving into the director’s chair with his story set in London’s East End.
-
FeaturesSwiss industry quietly confident about return to MEDIA
As Swiss producers, distributors and cinema-owners gather in Cannes, those dark days of February’s Berlinale seem far away when the Swiss referendum on an ¨ Initiative against mass immigration¨ looked like resulting in the Swiss industry being denied access in future to the EU’s Creative Europe programme.At the beginning of ...
-
FeaturesGenre bares its teeth
As Cannes Marché launches its first Fantastic Mixer networking event, Ian Sandwell talks to some of the key players in genre film-making.
-
FeaturesSebastiano Riso, Darker Than Midnight
Italian director Sebastiano Riso’s debut feature Darker Than Midnight - about a gay teenager living on the streets of the Sicilian city of Catania to escape a violent father who disapproves of his girlish looks - is premiering in Critics’ Week. Rai Trade handles sales.The film is based on the ...
-
FeaturesAlice Rohrwacher, The Wonders
Thirty-two year-old Italian director Alice Rohrwacher returns to the Croisette with Competition entry The Wonders (Le Meraviglie), a coming-of-age story set in the Italian countryside.
-
FeaturesDavid Michod, The Rover
The director talks about the “incredible beauty and incredible menace” of Australia.
-
FeaturesThe Go-go Boys hit the big screen
Veteran Israeli producers Menahem Golan and Yoram Globus hit the Palais des Festivals this evening for the Cannes Classics premiere of Hilla Medalia’s documentary The Go-go Boys, charting the rise and fall of their infamous indie studio the Cannon Group.
-
FeaturesMike Leigh, Mr. Turner
Mike Leigh returns to the Croisette for a fifth time with his biggest-canvas film to date, a biopic of British Romantic painter JMW Turner, who was known as the ‘painter of light’.
-
FeaturesCeline Sciamma, Girlhood
Céline Sciamma talks to Melanie Goodfellow about her Directors’ Fortnight opener Girlhood, about teenage girls in Paris.
-
FeaturesSet report: The Girl King
Wendy Mitchell visits Turku, Finland to watch Mika Kaurismaki at work on his big international historical drama The Girl King
-
FeaturesBennett Miller, Foxcatcher
“It’s the kind of film that’s very funny until it’s not funny,” says Bennett Miller of his US competition entry Foxcatcher, backed by Megan Ellison’s Annapurna Pictures and Columbia Pictures.
-
FeaturesShlomi and Ronit Elkabetz, Gett: The Trial of Viviane Amsalem
The sibling film-making duo talk to Sarah Cooper about the third film in their trilogy, which screens in Directors’ Fortnight.
-
FeaturesCannes 2014: Market Buzz
Screen’s essential guide to the hottest titles coming to market at Cannes.
-
-
FeaturesCANNES: The French collection
Despite increasing pressures on the funding of French film, local producers are bringing an exciting selection of projects to Cannes. Interviews by Melanie Goodfellow.
-
FeaturesPatrick Ewald and Shaked Berenson, Epic Pictures
Patrick Ewald and Shaked Berenson tell Jeremy Kay about the nimble manoeuvres of Epic Pictures, and how the company builds a diverse slate on the back of undead beavers and giant spiders.
-
FeaturesCannes 2014: Film profiles
Screen profiles the world premieres at the 67th Cannes Film Festival.
-
FeaturesPierre-Ange Le Pogam, Grace of Monaco
When veteran producer Pierre-Ange Le Pogam first came to Cannes in the 1970s, he slept in a tent. Some 40 years later, the former Gaumont and EuropaCorp exec is on the Croisette with his fledgling company Stone Angels and opening night film Grace Of Monaco. Melanie Goodfellow reports.
-
FeaturesNorthern Ireland: Prepared for battle
Northern Ireland Screen plans to place the territory at the forefront of the UK industry thanks to an ambitious new investment plan. Sarah Cooper reports.