Latest – Page 421
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FeaturesWill Gluck
Director Will Gluck talks about working with rising star Emma Stone on Screen Gem’s high school rom com Easy A, which premieres in Toronto.
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FeaturesSarah McCarthy
Sarah McCarthy talks about The Sound of Mumbai: A Musical, which one Toronto programmer predicts will be a sleeper hit of the festival.
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FeaturesMax Winkler
The director of Toronto world premiere Ceremony talks about Jason Reitman’s advice, working with actors, and finding that sweet spot between funny and sad.
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FeaturesAbe Sylvia
First time director Abe Sylvia speaks to Jeremy Kay about making Dirty Girl, a 1980s set road movie which premieres in Toronto’s Discovery section.
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FeaturesAmanda Nevill, director of BFI
The BFI has had budgetary setbacks and its National Film Centre plan was shelved by the new government, but the organisation has reconnected with audiences and there are bright prospects for the future.
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FeaturesMy Idiot Brother
Paul Rudd stars alongside Elizabeth Banks and Zooey Deschanel in this recently wrapped ensemble comedy written and directed by Jesse Peretz.
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FeaturesSofia Coppola
Sofia Coppola talks about the inspriations for her latest film, Somewhere, which is playing in competition in Venice.
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FeaturesMark Herbert, Mary Burke, Andy Stebbing
The three producers of Richard Ayoade’s feature directorial debut Submarine talk about the making of the film, ahead of it world premiere in Toronto.
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FeaturesSummer box office slumps, but indies show strength
Len Klady analyses the US box office results this summer, with revenues down but niche films doing well.
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FeaturesWeekly International Box Office Sep 03- 05
Inception comfortably reclaimed top spot on the international scene in its eighth week, grossing $21m from 7785 screens in 61 territories.
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FeaturesFestival Scope
An online service is looking to help rights holders and festivals to take their films to a wider industry viewing base.
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FeaturesLost in interpretation
Auditing is a growing business in the United States, especially in the studio system. John Hazelton reports
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FeaturesNew media: End of the paper trail?
Auditors argue that in the electronic age there will be a new transparency
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FeaturesCheck the small print
Audits are becoming common practice for producers and rights holders looking to ensure they are getting what they’re owed. Geoffrey Macnab explores the process
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Features
Contracts — clause and effect
The success of an audit can depend on the wording of a contract. Geoffrey Macnab looks at common contract flashpoints — and how they can be avoided