All Out Of Competition articles – Page 4
-
Reviews
'They'll Love Me When I'm Dead': Venice Review
Doc accompanies the long-delayed completion of Orson Welles’ final film, The Other Side Of The Wind
-
Reviews
'Aquarela': Venice Review
Victor Kossakovsky’s bombastic documentary captures the raw power of water
-
Features
The resurrection of Orson Welles' 'The Other Side Of The Wind'
The film started shooting in 1970, and had its premiere at Venice Film Festival yesterday (Aug 31).
-
Reviews
'A Star Is Born': Venice Review
A star has been rebooted in Bradley Cooper’s directorial debut
-
Reviews
'The Other Side Of The Wind': Venice Review
Nearly half a century after it started shooting, Orson Welles’ final film bows at Venice
-
Features
"Maybe we are just mean": Gastón Duprat and Mariano Cohn on the humour in their Venice title 'My Masterpiece'
The film, directed by Duprat and produced by Cohn, premieres at Venice on August 30.
-
Features
Venice 2018 preview: Screen's guide to Out of Competition titles
Films include Bradley Cooper’s directorial debut ‘A Star Is Born’ and Steve Bannon doc ’American Dharma’.
-
Reviews
'Outrage Coda': Venice Review
Beat Takeshi ends his crime trilogy in suitably visceral style
-
Reviews
'Racer And The Jailbird': Venice Review
Mathias Schoenaerts and Adele Exarchopoulos star in the latest from ’Bullhead’ director Michael R Roskam.
-
Reviews
'Manhunt': Venice Review
Breezy, handsomely mounted fun that shows John Woo has lost neither his mojo nor his sense of poetry
-
Reviews
'Loving Pablo': Venice Review
Javier Bardem and Penelope Cruz reunite for Spain’s Fernando Leon de Aranoa
-
Reviews
'My Generation': Venice Review
London in the Swinging Sixties is fondly remembered by Sir Michael Caine
-
Reviews
'Victoria & Abdul': Venice Review
Judi Dench reprises the role of Queen Victoria in a heritage film from Stephen Frears
-
Reviews
'The Private Life Of A Modern Woman': Venice Review
Sienna Miller stars as a Hollywood actress undergoing a personal crisis
-
Reviews
'Zama': Venice Review
After a nine-year absence, Lucrecia Martel returns to the screen with an uncompromising Amazonian epic.