All Reviews articles
-
Reviews‘Earwig’: San Sebastian Review
Lucile Hadzihalilovic’s third feature is defiantly unknowable
-
Reviews
‘Bigger Than Us’: San Sebastian Review
Flore Vasseur’s documentary takes a celebratory look at young activists around the world
-
-
Reviews
‘Costa Brava, Lebanon’: Venice Review
A terrific debut from Mounia Akl set in a Lebanese mountain idyll – until the landfill arrives next door
-
Reviews
‘Charlotte’: Toronto Review
The troubled wartime life of artist Charlotte Salomon is animated in this graceful European production
-
Reviews
‘The Good House’: Toronto Review
Sigourney Weaver, Kevin Kline co-star in this New England-set domestic drama
-
Reviews
‘Cry Macho’: Review
Clint Eastwood saddles up one more time for this nostalgic tale of an ageing cowboy on a road trip to Mexico
-
Reviews
‘Belfast’: Review
Kenneth Branagh goes back home for this touching coming-of-age story set during the onset of The Troubles
-
Reviews
‘Dear Evan Hansen’: Toronto Review
‘Emotional manipulations that sometimes border on cruel’: Ben Platt reprises his role for Universal’s screen adaptation of the hit Broadway musical
-
Reviews
‘The Survivor’: Toronto Review
Barry Levinson casts Ben Foster as Harry Haft, a boxer traumatised by his experiences in a Nazi death camp
-
Reviews
‘Drunken Birds’: Toronto Review
A Mexican migrant worker searches for his lover in Ivan Grbovic’s lush Canadian drama
-
Reviews
‘Good Madam’: Toronto Review
Jenna Cato Bass examines the horror of servitude in South Africa’s affluent gated communities
-
Reviews
‘Inexorable’: Toronto Review
Fabrice du Welz’s domestic thriller sees a stranger strike at the heart of the prosperous literally family headed by Benoit Poelvoorde
-
Reviews
‘The Eyes Of Tammy Faye’: Toronto Review
Jessica Chastain and Andrew Garfield portray notorious televangalists Jim and Tammy Faye Bakker
-
-
Reviews
‘The Mad Women’s Ball’: Toronto Review
The fifth feature from Melanie Laurent is a lavish tale of headstronh women in 19th century Paris
-
Reviews
‘Nobody Has To Know’: Toronto Review
A case of amnesia rewrites the past in this surprising Scottish Highlands romance
-
Reviews
‘The Middle Man’: Toronto Review
Bent Hamer’s intriguing drama may be set in America but it retains a distinctly Scandinavian accent
-
Reviews
‘Lakewood’: Toronto Review
Naomi Watts is a mother on the run in Philip Noyce’s manipulative melodrama
-
Reviews
‘Benediction’: Toronto Review
Terence Davies explores the impact of war on poet Siegfried Sassoon in this lyrical biopic
