All Reviews articles – Page 3
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Reviews‘The Burning Giants’ review: Shape-shifting Thai displacement drama blurs myth and reality
’Manta Ray’ director Phuttiphong Aroonpheng turns his attention to marginalised S’gaw community in ambitious third feature
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Reviews‘No Paradise If You Are Killed By A Woman’ review: Tense, blunt-edged Kurdish war thriller follows a female sniper in Iraq
Halkawt Mustafa’s female-led action drama brings glossy genre mechanics to a story of Kurdish resistance
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Reviews‘Conversation With The Sea’ review: Kamel El Basha anchors Muayad Alayan’s uneven Palestinian drama
A Jerusalem-set mystery turns one man’s private reckoning into a pointed portrait of Palestinian life in Israel
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Reviews‘The Spiral’ review: Paolo Strippoli’s dark Italian family fable promises more than it delivers
Star Valeria Bruni Tedeschi impresses in this stylish but increasingly repetitive Faustian horror
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Reviews‘Look Back’ review: Hirokazu Koreeda sketches a tender but overly sentimental portrait of young friendship
The Japanese auteur’s live-action adaptation of Tatsuki Fujimoto’s acclaimed manga debuts in Venice Competition
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Reviews‘Boatbuilders’ review: Luke Lorentzen’s Maine-set boatyard documentary is a finely crafted delight
The ‘Midnight Family’ director slows the pace for this beautifully observed portrait of craftsmanship and community
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Reviews‘Hombre Al Agua’ review: Gael Garcia Bernal’s class satire proves disjointed and underpowered
Garcia Bernal directs, co-writes and stars in this Venice Spotlight premiere
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Reviews‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama
Mathilde Arcel puts in a terrific lead performance in the director’s follow-up to Long Story Short and Queen Of Hearts
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Reviews‘The Echo Chamber’ review: Andrea Pallaoro turns Bernardo Bertolucci’s final script into precise, somewhat odd study of love and dependency
Alicia Vikander, Luca Marinelli and Susan Sarandon star in London-set Venice competition title
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Reviews‘Holy Wood Dust’ review: Victor Kossakovsky’s study of trees lacks the revelatory magic of his best works
The Russian documentarist’s follow-up to Trillion and Architecton premieres out of competition in Venice
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Reviews‘Possible Love’ review: Lee Chang-dong explores class, desire and exploitation in powerful Venice competition return
The ‘Burning’ director reunites with star Sul Kyung-gu for an enigmatic drama about two married couples divided by wealth
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Reviews‘The Difficult Bride’ review: A fairytale Bangladeshi wedding turns into a nightmare in sharp feminist body horror
Rubaiyat Hossain’s latest work becomes the first Bangladeshi film to play in Venice
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Reviews‘Citizen Osama’ review: A Palestinian journalist balances war reportage with family life in harrowing Gaza doc
Ahmed Hassouna’s Venice out of competition title has been selected as Palestine’s official Oscar submission
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Reviews‘Father Joe’ review: Kiefer Sutherland takes holy orders in Luc Besson’s violent action romp
Al Pacino adds marquee heft to Barthélémy Grossmann’s knowingly trashy action thriller
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Reviews‘Oasis: Don’t Look Back In Anger’ review: Sentimental doc about UK band’s reunion plays best when it focuses on the music
Directors Dylan Southern and Will Lovelace chart Oasis’s 2025 tour in Venice out of competition title
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Reviews‘It Will Happen Tonight’ review: Nanni Moretti’s latest is unashamedly melodramatic Italian romance
Louis Garrel and Jasmine Trinca star in the director’s sprawling drama which premieres in Venice competition
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Reviews‘Primetime’ review: Robert Pattinson is ‘To Catch A Predator’ host Chris Hansen in visually striking, dramatically contrived thriller
Merritt Wever is also memorable in Lance Oppenheim’s feature debut, which bows in Venice competition
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Reviews'Diane In the Loop’ review: Quirky Belgian drama confronts the legacy of sexual violence
Ann Sirot and Raphaël Balboni’s funny, compassionate third feature is produced by the Dardenne brothers
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Reviews‘Imperium’ review: Sergei Loznitsa surveys the 1970s Soviet empire in revealing archive epic
Italian archive footage forms the basis of an expansive documentary with clear contemporary resonance
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Reviews‘Eklipse’ review: Tender 1999-set debut explores an Austrian childhood in the shadow of AIDS
Secrecy and stigma threaten a childhood friendship in Manuel Wetscher’s Venice Horizons premiere