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Comment: the Independent Film Tax Credit is a victory for the UK industry
With the UK independent film industry getting a vote of confidence, what will emerge as the result of this victory?
Comment: Bafta’s winning films are an optimistic vision of a global UK industry
Box-office success for ’The Zone Of Interest’, ’Anatomy Of A Fall’ and ’All Of Us Strangers’ suggests the arthouse audience is back too.
Comment: It is time for Bafta to rethink its jury interventions
Bafta should trust its reinvigorated membership and give them more of a vote.
Venice’s Giornate degli Autori unveils 2023 line-up
The films include Isabelle Huppert starrer ’Sidonie in Japan’ and a new short film by Celine Sciamma.
Italy’s Cinecittà Studios scales back expansion plans (exclusive)
Legendary Rome production facility had planned to acquire 76-acre plot of land next to studio.
Comment: Venice line-up - ‘AI couldn’t make this up’
There’s a lot of baggage for one single festival to carry this year.
Guest comment: “The film production sector must adopt kinder working conditions for all - especially those with disabilities”
Theo Rintoul is a UK videographer who suffers from autoimmune disease.
Comment: Cannes' 2023 selection was inspired but festival struggled with logistics
You can be too successful, as Cannes discovered in its 76th edition.
Comment: Old and new filmmakers to rub shoulders at appealing Cannes 2023
Exciting voices take their place in Competition alongside familiar names.
Comment: Don’t blame Bafta. The entire industry needs to reconsider what is an “awards film”
”Sitting around pointing fingers at Bafta is a comfortable factory setting and it fundamentally changes nothing.”
What do the Bafta Film Awards mean for the Oscars?
Is the momentum now with ’All Quiet On The Western Front ’and Austin Butler?
Guest comment: “Why are so few Black people in positions of power in the arthouse film PR sector?”
Mia Farrell is a freelance film PR, working between the UK and US.
Comment: Edinburgh’s collapse shows why a long-term strategy is vital - and no festival is safe
The demise of Scotland’s leading cinemagoing body, the CMI, taking with it a festival and two cinemas, tells us good governance matters.